Today, we’re driving across Wisconsin’s winter wonderland, heading to a wedding. My dad will be with us, and it seems appropriate to see what Christmas sounds like at Ray’s Corner.
If you’re a regular visitor around these parts, you know we occasionally stop at Ray’s Corner and borrow tunes from Dad’s collection. Ray’s Corner, of course, is the apartment where the music is loud and where the martinis are made of gin with the vermouth bottle held about a foot away.
Dad digs Dino, and I generally do, too. However, I’m not a huge fan of Dino’s many Christmas songs. This one’s a keeper, though.
“Jingle Bells,” Duke Ellington, 1962, from “Jingle Bell Jazz,” 1974. (This CD, released in 1985, combines cuts from the 1974 album “Jingle Bell Jazz” and the 1981 album “God Rest Ye Merry Jazzmen.”)
This cut starts slowly, then picks up the pace when the 12-piece horn section jumps in. That, of course, is Billy Strayhorn on the piano. Recorded in New York City on June 21, 1962. (I turned 5 years old that day.)
The liner notes on this cut say only that it was recorded in 1950, but I’m guessing it comes from a session on Oct. 27, 1950. I have a Hampton cut from that session on another Christmas album. That’s likely Sonny Parker on the vocals. Mind you, this was 58 years ago, and he’s singing “rock, rock, rock, Mr. Santa.” There also are terrific trumpet and sax charts on this one, along with a little taste of Hamp’s vibes.
“Boogie Woogie Santa Claus” was an R&B hit for Mabel Scott in 1948. The next year, she married her pianist, Charles Brown, who had hits with “Merry Christmas Baby” in 1947 and “Please Come Home for Christmas” in 1960. Alas, they stayed together for only a short time, and Scott eventually went back to her original love, gospel music.