You know we dig early Bob Seger here at AM, Then FM. He’s not the only Detroit rocker we dig.
Dennis Coffey was one of Detroit’s best session guitarists in the ’60s and early ’70s, one of the Funk Brothers.
I didn’t know that when I heard his smash instrumental single “Scorpio” in 1971. Back then, I never bought any of Coffey’s records. I can only plead the cluelessness of youth.
However, I snapped up “Evolution,” the 1971 LP with “Scorpio” on it, when I came across it earlier this year.
Tonight, “Evolution” is featured over at our other blog, The Midnight Tracker, which resurfaces at the end of every month, emerging from the haze of time, reviving an old late-night FM radio show on which one side of a new or classic album was played.
Here’s a little sample.
“Whole Lot Of Love,” Dennis Coffey and the Detroit Guitar Band, from “Evolution,” 1971. It’s out of print.
Yes, this is a cover of Led Zeppelin’s “Whole Lotta Love.” But dig the drum break and the laid-back funk starting at 1:19 and lasting until about 1:46.
This also gives me an opportunity to step into the WABAC machine …
… and share the story behind a tune shared here a couple of years ago.
“Hey Rocky!” is a little bit of house music that came out of Chicago in 1986. All kinds of samples from the old Rocky and Bullwinkle cartoons are laid over dance beats.
The artist, credited as Boris Badenough, is really Dean Anderson, a Chicago musician and composer (and a fellow Wisconsin native). We exchanged e-mails after he came across that post. Dean tells how “Hey Rocky!” came to be:
“The making of the record was supported (in addition to my fondness for the Moose and Squirrel) by a guy named Larry Sherman, who started Trax Records. He had a major dislike for his main competitor in Chicago, Rocky Jones, who ran arch-rival record label DJ International. Thus the ‘Hey Rocky, hey Rocky/Watch me pull a rabbit out of my hat.’ All good fun.
“The record actually did really well! It started off on radio station B96 here in Chicago, and then Dr. Demento added it into rotation on his nationally syndicated show, and other stations picked it up across the country. At the time, I got a bunch of calls to do interviews for radio stations from San Francisco to New York, and many points in between (like Oklahoma, Virginia, Florida). It was kind of wild, since I made the record as sort of a joke.
“The record label had Frankie Knuckles (big-time DJ) and Marshall Jefferson (big-time house artist at the time) do dance club remixes, and so the record then got exposure in the club scene. It was picked up by London Records in Great Britain, and enjoyed some success on British radio for a while there. It made it to the Billboard dance charts shortly thereafter, and all told, the label moved many thousands of units.”
Ah, the power of Moose and Sqvirrel. Enjoy it again.
“Hey Rocky!” Boris Badenough (Dean Anderson), 1986, the A side of the Trax Records 12-inch single TX130. The B side is the instrumental version. It’s out of print. Anderson gets the writing credit; Frankie Knuckles gets the mixing credit.
Anderson is still in Chicago, and still at it. He runs Music + Pictures, and explains it this way: “I compose music for television and film. I am also a video editor, having edited music videos for the likes of R. Kelly, Public Enemy, Soundgarden, Nine Inch Nails, De La Soul, Iron Maiden, Ozzy Osbourne and a whole bunch of bands nobody ever heard as well.”
On an otherwise dull day at work, this sweet little item came across the wire: Bob Seger is coming out with a new CD chock full of some of his earliest songs.
That’s great news for those of us who have long preferred the young, spirited, in-your-face Seger of the late ’60s and early ’70s to the more familiar, more mainstream latter-day Seger.
Brian McCollum, writing in the Detroit Free Press, says it’s “a lineup of hard-to-find album cuts.” For most folks, probably. But not for those of us who are crate diggers, nor for those of us who grew up in the upper Midwest and heard Seger on the radio in those early days. He was well known regionally but hadn’t made it big nationally.
I have two of the three “long unavailable” LPs from which the new “Early Seger, Vol. 1” is drawn. I’ve seen both at Amazing Records, my local vinyl record shop, in the last month.
The 10 cuts on the CD are a mix of tunes from “Smokin’ O.P.’s,” “Back In ’72” and “Seven,” all fine Detroit rockers released from 1972 to 1974. “Smokin’ O.P.’s” is mostly covers, the others mostly original material. There also are four unreleased tunes, one from 1977 and the others from 1985.
Seger also is apparently reviving a vintage Detroit label. “Early Seger, Vol. 1” is being released on Hideout Records, once the home of crunchy Detroit rock, some it put out by Seger.
Seger remains loyal to his roots. At first, “Early Seger, Vol. 1” was sold only at Meijer’s stores. (That’s a big grocer and retailer in Michigan, Illinois, Indiana, Ohio and Kentucky.) Now it’s available at Seger’s Web site. There might be a wider release early next year.
So here’s a sampler of early Seger … but not from the new CD. Perhaps from future volumes of “Early Seger,” which certainly seem possible.
“Vol. 1” has a re-recorded version of this tune: “Long Song Comin’,” Bob Seger, from “Seven,” 1974. It’s out of print.
“Vol. 1” also has Seger’s ever-so-slightly superior original version of this tune: “Get Out of Denver,” Dave Edmunds, from “Get It,” 1977.
But “Vol. 1” doesn’t have this tune: “Love The One You’re With,” Bob Seger, from “Smokin’ O.P.’s,” 1972. On which Seger steps aside and leaves the lead vocals to Pam Todd and Crystal Jenkins.
So, whaddaya want for Christmas? Yes, it’s hurtling toward us.
We’ll again be dropping some Christmas tunes on you. But listen up:
Yes, our Three Under the Tree series will return in time for you to gather tunes for your Christmas mixes and parties, probably starting Thanksgiving weekend.
No, we won’t do it every day for a month as before. The Christmas season is enough of a grind without blogging like a madman.
So, back to you. Whaddaya want for Christmas? What tunes do you want to hear? The request line is open.
Can’t remember what we have? Just type “Three under the tree” into the search box at right to see what we’ve done before. We have a lot of stuff — way more than we possibly could post, so ask if you don’t see something you want — and a lot of quality stuff. No singing dogs.
Lacking requests, I’ll just go ahead and stuff your stocking.
If that happens, you run the risk of a post like one from last December — Day 19 — which delivered Christmas tunes from Run-D.M.C., Steve Lawrence and Eydie Gorme and the Tractors. As our friend JB said that day: “With this post, I believe you have just defined the term ‘eclectic.’ Or ‘schizophrenic,’ I can’t decide.”
One of the biggest news stories of our time — the fall of the Berlin Wall — happened 20 years ago today.
It was one of those moments that you remember exactly where you were when it happened. And, yes, I do remember what I was doing when the Berlin Wall fell.
I just had no idea that it was happening.
That still bugs me, even after 20 years. Probably always will.
Nov. 9. 1989, was a Thursday. I was on vacation. I’d spent the previous weekend with my pals Hose and Tone, watching the Packers beat the Bears at Lambeau Field. We had another big weekend coming up. Road trip. The three of us were meeting in Milwaukee, then driving to Detroit to watch the Packers play the Lions and then returning to Milwaukee to watch the Bucks play the Spurs.
We did all that, downing plenty of beer along the way. But not that much beer. Not when there’s so much driving to be done.
I remember plenty about that weekend, but I still have no idea how I missed hearing that the Berlin Wall had fallen. We must have read the paper. We must have watched some TV. But it wasn’t until we got home that I got caught up on the big news story about a …
These are mp3s from my collection, taken from vinyl whenever possible. Enjoy. All music presented here is shared under the premise of fair use. This blog is solely intended for the purpose of education, a place for me to tell stories and write about music and cultural history. If you are a rights holder to any of the music presented and wish for it to be removed, please email me directly and it will be taken down.
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The text is copyright 2007-2022, Jeff Ash. Text from other sources, when excerpted, is credited.