Bootsy Collins’ “Christmas Is 4 Ever,” sampled here in Vol. 33, might not be the best Christmas record of the ’00s, but it’s pretty close when you’re thinking of Christmas records you can enjoy, cut after cut, start to finish. There aren’t many like that.
Perhaps the only ’00s records we’ve enjoyed more from start to finish are “A Wild-Eyed Christmas Night” by .38 Special, from 2001, and “Let It Snow, Baby … Let It Reindeer,” by Relient K, from 2007, sampled in Vol. 32.
But that got me to thinking. What are some of the other Christmas records we’ve enjoyed from start to finish from other decades?
As I look over all the stuff from the ’90s, one record stands out. Every time I post a tune from it, someone raves about it, and rightly so.
I once sent the whole thing to a guy who said his wife would be so thrilled to have it that he was certain they’d be parents nine months hence. Too much information? I think he also said he once had it on cassette, but that it had become “worn out and broken.”
That record is “A Creole Christmas,” released in 1990 on Epic/Associated.
That title is a little misleading. Though tasty, there’s no Creole seasoning. Recorded in New Orleans and New York, this CD gathers almost a dozen performers with deep New Orleans roots. It’s all R&B, soul and zydeco, and that’s just fine. Listen for yourself.
“White Christmas,” Allen Toussaint. All the more special now that I’ve seen Toussaint play live. He’s an American treasure. This is a rollicking piano romp, nicely complemented by the horns.
“Please Come Home for Christmas,” Johnny Adams. This one will give you a good idea of how Adams crossed over from gospel in the ’50s to R&B in the ’60s. Smooth.
“O Holy Night,” Irma Thomas. This is for Rob, who calls this version “goosebump-inducing stuff.” Damn straight. It’s reverent but thrilling, done as a dirge with some terrific Hammond organ.
All from “A Creole Christmas,” 1990. It’s out of print and hard to find.
A couple of other good long-players from the ’90s, though admittedly guilty pleasures: “Star Bright,” by Vanessa Williams, from 1996, and “Have Yourself A Tractors Christmas,” by the Tractors, from 1995.
Tomorrow, a good one from the ’80s.