Category Archives: Sounds

Gone in threes: 2016

Good riddance, 2016. What precipitated a seemingly relentless wave of noteworthy deaths, I suspect, came on Jan. 26. Abe Vigoda — first reported dead in 1982, again in 1987 and then countless times afterward, mostly in jest — actually died.

They go in threes. They always go in threes. Here’s more proof.

All that jazz: Gato Barbieri, Al Caiola, Alphonse Mouzon

Americana: Mose Allison, Merle Haggard, Ralph Stanley

Angels among us: Larry Colburn (helped stop the My Lai massacre), Ruth Gruber (accompanied 1,000 Jews to the United States during the Holocaust), Marion Pritchard (rescued Jews in the Netherlands during World War II)

Animal planet: Dan Haggerty (“The Life and Times of Grizzly Adams”), Harambe, Alan Young (“Mr. Ed”)

Authors: Michael Herr (“Dispatches”), W.P. Kinsella (“Shoeless Joe”), Harper Lee (“To Kill A Mockingbird”)

Badasses: Fred Cherry (held as a POW in North Vietnam for seven years after refusing to denounce racial discrimination in the U.S.), Bob Hoover (escaped a German POW camp by stealing a plane, then became a test pilot), William Pietsch Jr. (one of the elite Jedburgh commandos in Nazi-occupied France)

Baseball legends: Ralph Branca, Joe Garagiola, Monte Irvin

Basketball legends: Pat Summitt, Nate Thurmond, Pearl Washington

Beatlemania: Al Brodax (produced, co-wrote “Yellow Submarine” film), Sir George Martin (producer), Allan Williams (first manager)

Blues brothers and sisters: Candye Kane, Lonnie Mack, Ruby Wilson

British film royalty: Frank Finlay, Guy Hamilton (directed four James Bond films, among others), Alan Rickman

Cartoon voices: George S. Irving (Heat Mizer in “The Year Without a Santa Claus”), Marvin Kaplan (Choo-Choo on “Top Cat”), Janet Waldo (Judy Jetson)

Commercial break: Bill Backer (came up with Coke slogans and co-wrote what became “I’d Like to Teach the World to Sing”), Milt Moss (that memorable Alka-Seltzer ad from 1972), Richard Trentlage (wrote the Oscar Mayer wiener song)

Counted out: Bobby Chacon, Aaron Pryor, Kimbo Slice

Crazy guys: Irving Benson (Milton Berle’s heckler), Richard Libertini (General Garcia in “The In-Laws”), Jack Riley (Mr. Carlin in “The Bob Newhart Show”)

Directors: Curtis Hanson (“L.A. Confidential”), Arthur Hiller (“The In-Laws”), Garry Marshall (“The Flamingo Kid”)

DJs: Bob Coburn (“Rockline”), Herb “The Cool Gent” Kent (Chicago), Charlie Tuna (Los Angeles)

Elvis’ guys: Joe Esposito (road manager), Chips Moman (producer), Scotty Moore (guitarist)

Emerson, Lake and Palmer: Keith, Greg and Arnold

Food and drink: Peng Chang-kuei (created General Tso’s chicken), Jim Delligatti (created the Big Mac), Robert Leo Hulseman (developed the red Solo party cup)

Hasta la bye bye: Fidel Castro, George C. Nichopoulos (Elvis’ doctor), Phyllis Schlafly

Hollywood kids: Carrie Fisher, Ricci Martin, Frank Sinatra Jr.

Hollywood moms: Florence Henderson, Nancy Reagan, Debbie Reynolds

“Mad” men: Jack Davis, Don “Duck” Edwing, Paul Peter Porges

Memorable major leaguers: Choo Choo Coleman, Margaret Whitton (Rachel Phelps in “Major League”), Walt “No Neck” Williams

Men of conscience: Daniel Berrigan, Tom Hayden, Elie Wiesel

Movie singers: Charmian Carr (“The Sound of Music”), Madeleine LeBeau (“Casablanca”), Marni Nixon (“The Sound of Music” and much dubbing)

Muses: Greta Friedman (believed to be the girl in white being kissed in Times Square in Alfred Eisenstadt’s V-J Day photo), Marianne Ihlen (Leonard Cohen’s companion during the ’60s), Clare MacIntyre-Ross (inspired Harry Chapin’s “Taxi”)

Innovators: Denton Cooley (first artificial heart), Henry Heimlich (Heimlich maneuver), Raymond Tomlinson (email)

John Wayne’s co-stars: David Huddleston (“Rio Lobo,” “McQ”), George Kennedy (“The Sons of Katie Elder,” “Cahill, U.S. Marshal”), Hugh O’Brian (“In Harm’s Way,” “The Shootist”)

Last laughs: Bob Elliott, Garry Shandling, Gene Wilder

Legends: Muhammad Ali, David Bowie, Prince

Mary Tyler and more: Ann Morgan Guilbert (neighbor Millie Helper on “The Dick Van Dyke Show”), John McMartin (Mary’s infatuated lawyer on “The Mary Tyler Moore Show”), Grant Tinker (ex-husband and producer)

Oh, Canada: Gordie Howe, Gordie Tapp (“Hee Haw”), Alan Thicke

Photojournalists: Howard Bingham (Muhammad Ali’s biographer), Bill Cunningham (New York Times), Philip Townsend (Rolling Stones, Beatles)

Record guys: Phil Chess (Chess), Bob Krasnow (Elektra), Billy Miller (Norton)

Saddle up: Peter Brown (“Laredo,” “Lawman”), Robert Horton (“Wagon Train”), James Stacy (“Lancer”)

Screen Actors Guild presidents: Patty Duke, Ken Howard, William Schallert

Seers: Miss Cleo (well, not really a psychic reader, but she played one on TV), Louis Harris (pollster), Alvin Toffler (“Future Shock”)

Sidekicks: Kenny Baker (R2-D2 in “Star Wars”), Mr. Fuji (pro wrestling), Noel Neill (Lois Lane in “Superman”)

Silly men: George Gaynes (“Tootsie,” “Police Academy” films), Bert Kwouk (Cato in the “Pink Panther” films), Fred Tomlinson (“Monty Python’s Flying Circus” singer who co-wrote “The Lumberjack Song” with Terry Jones and Michael Palin)

‘60s super cool: Zsa Zsa Gabor (Minerva, the last “Batman” villain), Robert Vaughn (“The Man from U.N.C.L.E.”), Van Williams (“The Green Hornet”)

Songwriters: John D. Lowdermilk (“Indian Reservation,” “Tobacco Road”), Mack Rice (“Mustang Sally,” “Respect Yourself”), Rod Temperton (“Thriller,” “Give Me The Night”)

Soul brothers: Leon Haywood, Joe Jeffrey, Billy Paul

Soul godfathers: Otis Clay, Joe Ligon (Mighty Clouds of Joy), Maurice White (Earth, Wind & Fire)

Soul sisters: Sharon Jones, Denise Matthews (Vanity), Ruby Winters

sharon-jones-tix

Space, the final frontier: Edgar Mitchell, Vera Rubin (confirmed the existence of dark matter), Anton Yelchin (“Star Trek”)

Sports voices: Bud Collins, Craig Sager, Jim Simpson

Storytellers: Edward Albee, Guy Clark, Morley Safer

The gospel according to TV: Mother Angelica, William Christopher (Father Mulcahy on “M*A*S*H”), Madeleine Sherwood (Mother Placido on “The Flying Nun”)

The 12th Precinct: Ron Glass, Doris Roberts, Abe Vigoda

Unforgettable voices: Leonard Cohen, Glenn Frey, George Michael

We built this city: Signe Anderson (Jefferson Airplane), Mic Gillette (Tower of Power), Paul Kantner (Jefferson Airplane)

Wheeler dealers: Phil Kives (K-Tel products and records), Ozzie Silna (got 1/7th of NBA TV money every year, making hundreds of millions of dollars, for folding his ABA team), Robert Stigwood (managed Cream and the Bee Gees, produced “Hair” and “Jesus Christ Superstar” on stage and “Grease” and “Saturday Night Fever” on film)

Gone in Threes, the band

Singers: Jerry Corbetta (Sugarloaf), Gary Loizzo (The American Breed), Gayle McCormick (Smith)

Hot licks: Dan Hicks (and His Hot Licks), Henry McCullough (Wings), Rick Parfitt (Status Quo)

On bass: Preston Hubbard (Fabulous Thunderbirds), Marshall Jones (Ohio Players), Lewie Steinberg (Booker T. and the M.G.’s)

On drums: Dennis Davis (David Bowie), Dale Griffin (Mott the Hoople), Danny Smythe (Box Tops)

On the keys: Stanley Dural Jr. (Buckwheat Zydeco), Leon Russell, Bernie Worrell (Parliament/Funkadelic)

The horn section: Harrison Calloway (Muscle Shoals Horns), Pete Fountain, Wayne Jackson (Mar-Keys, Memphis Horns)

Special mention

The shocker: There always is one death that takes your breath away. In 2016, John Glenn. Not so much because he had died — he was 95 — but because of all he accomplished. People of a certain age have no idea how big of a deal John Glenn and the astronauts once were. A man for whom the often overused phrase “American hero” is most appropriate.

The end zone: Sam Spence belongs in the Pro Football Hall of Fame. He composed much of the wonderful music made famous by NFL Films. His music plays throughout the hall in Canton, Ohio, but there’s no mention of his contribution. I met him in 2010, when he spent a week in Green Bay, working with music students and conducting a program of his compositions. Even then, he had to get NFL Films’ permission to use his music, which NFL Films owns and publishes.

Going in style: Jane Little, a bassist for the Atlanta Symphony Orchestra, collapsed near the end of a performance in May and died shortly thereafter. She was 87 and had spent 71 years with the orchestra, playing with it since she was 16. She collapsed while playing an encore number: “There’s No Business Like Show Business.”

Noteworthy

— This is not intended to be an inclusive list of all who passed in 2016. Rather, this is my highly subjective list. Yours will be different.

— Each year, I use three prime sources for this list.

First, the Wikipedia contributors who compile month-by-month lists of prominent deaths. That’s where we start.

Second, our friend Gunther at Any Major Dude, who compiles lists of notable music deaths each month, along with a year-end roundup. Each of those is more thorough than this roundup. Highly recommended.

Third, the folks at Mojo magazine, whose “Real Gone” and “They Also Served” features are wonderful.

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Filed under January 2017, Sounds

Yeah, After This Year

We usually wind up Christmas with the same three songs here, but Santa Claus has already come to town and gone.

But after this year — After This Year — it’s still worth hearing the message in the other two.

“And so this is Christmas, and what have you done?”

“Happy Xmas (War Is Over),” John Lennon and Yoko Ono, the Plastic Ono Band and the Harlem Community Choir, released as a single, 1971. A remastered version is available on  “Gimme Some Truth,” a 4-CD compilation released in 2010. Also available digitally.

“Christmas bells, those Christmas bells
“Ringing through the land
“Bringing peace to all the world
“And good will to man”

“Snoopy’s Christmas,” the Royal Guardsmen, from “Snoopy and His Friends,” 1967. (The link is to a double CD also featuring “Snoopy vs. the Red Baron,” their debut album from 1966.) Also available digitally.

“Merry Christmas, mein friend!”

Enjoy your holidays, everyone.

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Filed under Christmas music, December 2016, Sounds

As the city shuts down …

Driving home from the hospital, where my dad is spending Christmas weekend, I watched the city start to shut down for Christmas Eve.

As 5 p.m. arrived, last-minute shoppers lingered at Shopko, their cars clustered near the entrance. Last-minute diners lingered at McDonald’s, but its sign was off. Taco Bell had gone dark. The “Open” sign was still on at Subway, but it looked like they, too, were just about out the door.

So it is on Christmas Eve, the one night of the year when, well, all is calm.

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Then you hear Irma Thomas’ voice piercing the quiet in the best possible way.

Nine years ago, my friend Rob in Pennsylvania called this “goosebump-inducing stuff.”

It still is.

“O Holy Night,” Irma Thomas, from “A Creole Christmas,” 1990. It’s out of print and not available digitally, but Amazon will rip you a copy.

Reverent yet thrilling, this version is done as a New Orleans-style dirge with some moody Hammond organ and some terrific gospel voices singing backup.

Embrace the moment, especially at Christmas.

Enjoy your holidays, everyone.

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Filed under Christmas music, December 2016, Sounds

Once again, it’s Christmas Eve

On this Christmas Eve, a post that has become a tradition.

On a winter day more than 40 years ago, Louis Armstrong went to work in the den at his home at 34-56 107th Street in Corona, Queens, New York.

That day — Friday, Feb. 26, 1971 — he recorded this:

stashxmaslp2

“The Night Before Christmas (A Poem),” Louis Armstrong, 1971, from “The Stash Christmas Album,” 1985.

It’s out of print, but you can find the original 7-inch single (Continental CR 1001) on eBay for $10 or less. I found my copy three years ago, when my friend Jim threw open his garage door and sold some of his records.

louisarmstrongnightbeforexmas45

(This is the sleeve for that 45. You could have bought it for 25 cents if you also bought a carton of Kent, True, Newport or Old Gold cigarettes.)

There’s no music. Just “Little Satchmo Armstrong talkin’ to all the kids,” reading Clement Clarke Moore’s classic poem in a warm, gravelly voice.

“But I heard him exclaim as he drove out of sight, ‘Happy Christmas to all, and to all a good night. A very good night.’

“And that goes for Satchmo, too. (Laughs softly.) Thank you.”

It was the last thing he ever recorded. Satchmo died the following July.

You just never know.

Embrace the moment, especially at Christmas.

Enjoy your holidays, everyone.

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Filed under Christmas music, December 2016, Sounds

Another comedian in the family

Our son’s news arrived via Facebook earlier this week, among some items billed as “exciting things to announce …”

“I auditioned for and was invited to take the next step in joining the fine folks at ComedyCity.”

That was pretty exciting, especially for his old Pops, the comedy nerd.

I’ve been a student of comedy ever since staying up late and watching Johnny Carson’s monologues with my dad in the late ’60s and early ’70s. My irreverent yet dry sense of humor was shaped by Carson, Carlin, Pryor and Python, with generous servings of Mad and National Lampoon. Long ago, my friend Hose once wondered whether I’d ever considered doing standup. Ah, no.

the-comedians-bookOne of my Christmas gifts last year was “The Comedians: Drunks, Thieves, Scoundrels and the History of American Comedy,” the tremendous work by comedian-turned-historian Kliph Nesteroff. Highly recommended.

The only problem for me, the comedy nerd, was that I’d already read much of it in Kliph’s wonderful interviews with old-time comedians on his blog, Classic Television Showbiz.

Anyhow, now there is another student of comedy in the family.

Evan, now 21, is working with our local improv comedy troupe. Several of his friends are already among its performers. Not sure when Evan will take the stage with them, but when he does, we’ll be there.

However, his old Pops, the comedy nerd, will have to keep his head full of comedy knowledge to himself. Evan will learn improv comedy the way ComedyCity wants him to learn it, which is the way it must be.

But should he ask, his old Pops will dive deep, past Carson and Carlin, past Pryor and Python.

You’ve never heard of Victor Buono, his old Pops will say, but you should hear him. He used to wedge himself into the chair next to Carson, wield an elegant cadence and slay him with comic poetry like this …

victorbuonoheavylp

“I’m Fat,” Victor Buono, from “Heavy!” 1971. Also available digitally.

You’ve never heard of Hudson and Landry, his old Pops will say, but you should hear them. They were a couple of Los Angeles DJs who slayed their pals at the golf course with comic bits like this …

hudsonlandrylosingtheirheadslp

“Ajax Liquor Store,” Hudson and Landry, from “Losing Their Heads,” 1972. It’s out of print, but this cut is available digitally.

 

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Filed under September 2016, Sounds

Stop chasing the ghosts

Greenville show 2016

That really isn’t advice for you, though feel free to take it if so inclined.

It’s a reminder for me to do a better job of thinking through which shows to pop for, and why.

As this summer began, I had tickets for a Joan Jett/Lynyrd Skynyrd double bill at a big outdoor festival in July and a KISS show at the arena across town in August. Sounded great at first. Turned out differently.

I’d seen Joan Jett twice before. Each time, she was the headliner in a small venue. This time, she was the opening act at that outdoor festival. Different vibe. That’s her, somewhere on that tiny stage just to the left of center in the photo above. Those were my sight lines. You get the idea.

Not surprisingly, a crowd getting primed to see Skynyrd is not necessarily one that will warm to Joan Jett’s occasionally LGBTQ-friendly stylings. They roared for the first three songs and the last four songs — all the hits — then listened politely (as Wisconsin crowds are wont to do) to the 10 songs in the middle that they really didn’t know or dig.

Given that, and the realization that this Skynyrd show would not be better than two I’d already seen — Leon Wilkeson and Billy Powell were still alive and performing then —  I left after Jett’s show and before Skynyrd took the stage.

A month later, when it turned out that we were leaving for a trip at 4 a.m. on the morning after the KISS show, I started rethinking that one, too.

As with Skynyrd, I came to the realization that this KISS show would not be better than the one I saw 16 years ago, when all four original members were part of the, ahem, KISS Farewell Tour.

So I sold my ticket to a friend, who gave it to another friend, which is the best part of this story. The guy who wound up with the ticket is a huge KISS fan who had never seen KISS. By all accounts, he had a great time at the show. Which is cool. Which makes me feel better about it all.

Maybe it’s just karma. After all, this vaguely lost summer followed a tremendous spring in which we saw Bruce Springsteen, the Smithereens, Martha Davis and the Motels, Pat Benatar, David Lindley, the Alan Parsons Live Project and the James Hunter Six. Save for Benatar and Lindley, we’d never seen any of them.

When I did see Lindley for that second time, he played the one song I wanted to hear. A song he didn’t play the first time we saw him.

david lindley el rayo-x live lp

“Mercury Blues,” David Lindley and El Rayo-X, from “El Rayo Live,” 1983. Recorded live at Little Bavaria in Del Mar, California, on Friday, June 18, 1982.

After seeing Lindley in 2013, we eagerly got tickets to see him when he came around again last year. But we wound up moving my dad into assisted living that weekend, and we wound up eating those tickets. Perhaps getting to hear “Mercury Blues” this time was karma, too? Who knows?

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Filed under August 2016, Sounds

Politicians won’t steal this

A politician uses a popular song at a rally. The band, or the artist, objects.

It’s often a good story, but you wonder. How many campaign staffs even bother contacting bands to obtain the rights to use their music?

Seems like it might be more a case of begging forgiveness rather than seeking permission. Or, in many cases, simply seeing what you can get away with.

Those tactics apparently are so pervasive that there’s an online guide for performers: “What To Do When A Campaign Uses Your Recorded Music Without Permission.”

The first major overstep apparently was Ronald Reagan’s use of “Born in the U.S.A.” in 1984, to which Bruce Springsteen objected.

Donald Trump has offended the Rolling Stones and Queen and Neil Young and R.E.M. and Paul Rodgers and Earth, Wind & Fire.

Other repeat offenders: John McCain offended Van Halen, John Cougar Mellencamp, Heart, Jackson Browne, Bon Jovi, Foo Fighters, Tom Petty and ABBA. George W. Bush offended Mellencamp, Petty and the band Orleans.

The members of Survivor pounce when someone uses “Eye of the Tiger” without permission. They’ve sued, or threatened to sue, Mike Huckabee and Newt Gingrich and Kim Davis and Mitt Romney, among others, for doing so.

Special mention to two Wisconsin politicians. Paul Ryan offended Rage Against the Machine, saying he was a fan. Now that is quite an odd couple. Scott Walker offended the Dropkick Murphys. Join the club, fellas.

Though Republicans most often draw musicians’ ire, Democrats do, too.

For all those politicians, a timely reminder.

john prine 1st lp

“Your Flag Decal Won’t Get You Into Heaven Anymore,” John Prine, from “John Prine,” 1971.

Man, seeing this, I still can’t believe Alice Cooper wasn’t elected in 1972.

Which reminds me. My friend Timebomb Tom said “this Warren Zevon album cover makes me want to re-visit the Zevon-faked-his-own-death-and-really-is-Bernie-Sanders theory.”

warren zevon stand in the fire

Wish Zevon was still here to help us sort through the lawyers, guns and money.

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Finally, our strongest endorsement …

My friend Larry Grogan dropped “Testify,” a powerful take on the issues of the day, over at his mighty Funky 16 Corners blog last week. Read his post. Listen to the mix. Register to vote. Larry says:

Brothers and Sisters … the time has come …

There’s a little more than three months until Americans head to the polls and make the decision that will determine how (or whether) this country moves forward.

This mix gathers together black artists from the worlds of soul, funk, gospel and rock, with songs that were created in response to oppression and racism (here in the U.S., Jamaica, the UK and Apartheid-era South Africa), crying out for an end to both and many of them asking not for separation, but for recognition, unity and progress.

Dig. That.

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Filed under July 2016, Sounds