Tag Archives: 1971

The smoker you drink …

50 years ago last night, on Tuesday, March 10, 1970, The Association played a show at the old Brown County Arena in Green Bay. I posted that music history tidbit to our local Facebook history groups last night.

Which led my friend Kim to ask …

“No idea if it’s true or not, but I had heard many years ago that the original James Gang with Joe Walsh was the opening act at this show. AND that the illustrious Mr. Walsh got arrested at the Midway Motor Lodge for possession of pot. After all these years, can anyone confirm or deny this story for me?”

Well, now. Can’t resist that one. It is mostly true.

The James Gang did not open for The Association at the Arena that night. However, the James Gang was on a bill with the Youngbloods at the Arena roughly 6 months later, on Friday, Sept. 18, 1970.

And, yes, Joe Walsh, 22, of Kent, Ohio, was busted for possession of marijuana after the Brown County Sheriff’s Department raided his room at the Holiday Inn on Friday, Sept. 18, 1970. He was freed on a $500 bond so the James Gang could begin a month-long tour of the UK three weeks later.

Joe Walsh — thereafter referred to as “Joseph F. Walsh” in the Green Bay paper’s court stories — apparently never returned to Green Bay to face the music.

On Monday, Nov. 2, 1970, Walsh missed his arraignment date. That day, the James Gang was off between shows in Dania, Florida, and Atlanta.

Four days later, on Friday, Nov. 6, 1970, Walsh was arraigned, represented by two attorneys from Milwaukee. That day, the James Gang played two shows at the Westbury Music Fair in Jericho, N.Y.

In late April 1971, Walsh’s lawyers were still arguing their case. Walsh’s case was continued to May 20, but there’s no further mention of it in the Green Bay paper. That day, the James Gang was off between shows in New York and Cincinnati.

Three local college students — a 19-year-old man, a 19-year-old woman and an 18-year-old woman — also were charged with possession in the wake of the bust at the Holiday Inn. Their cases were dismissed.

My guess, having covered the courts in the late ’70s: Either Joe Walsh’s case also was dismissed or the judge simply forfeited Walsh’s $500 bond and called it a day. $500 was a lot of money back then — $3,300 in today’s dollars.

Now, about that Youngbloods/James Gang show. According to the Green Bay Press-Gazette, it was a …

Weird Night at the Arena

Melanie, the pop-folk singer, was to have been the headliner. She didn’t show. She was said to have had “a bronchial ailment.”

So the Youngbloods took her place. They rehearsed on stage, then started the show, playing first. “The Youngbloods were plagued by electronic breakdowns, feedback and tuning troubles,” my friend Warren Gerds wrote in the next day’s paper. That, and the Arena’s poor acoustics swallowed up their sound.

Then the James Gang came on stage.

“The James Gang is a head band. Upon finding that out, about 100 listeners headed for the door. Others left in a steady, strong trickle,” Warren wrote. “The James Gang had no problems with acoustics because they overpowered the arena’s echoing traits.”

At the time, the James Gang was still touring behind its 1969 debut LP, “Yer’ Album.” Here’s a cut that “head band” may or may not have played that night in Green Bay, clearing the house on a night when only 500 people came out to a show in a 5,000-seat venue.

“Funk #48,” the James Gang, from “Yer’ Album,” 1969, which I saw while record digging not too long ago. All three band members — Joe Walsh, bass player Tom Kriss and drummer Jim Fox — are credited as co-writers.

This is the only James Gang LP on which Kriss plays. Dale Peters took his place for the next record, “James Gang Rides Again.” On which, of course, “Funk #49” was the first cut.

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Filed under March 2020, Sounds

The wish list, sort of

After posting here last month that I’d found the record that had been No. 1 on my wish list for 10 years, my friend Jim dropped me a note from across town. We had this exchange on New Year’s Day:

Jim: How cool that you found the Larry Williams & Johnny Watson LP. Glory be. You got the soul, brother. 

Me: Yeah, I finally found that record. What do I do now? Don’t think I’ll quit digging, though. Still a handful of records left on my wish list.

Jim: I would like to see what’s left on your “wish list.” Must be some rather hard-to-find albums. 

So I thought for a while and sent Jim this list toward the end of the evening:

  • “Noah” by the Bob Seger System
  • “Brand New Morning” by Bob Seger
  • “Music from National Football League Films,” Vols. 2, 3 and 4
  • “Merry Soul Christmas — George Conedy at the Hammond Organ”
  • “Shaft” by Bernard Purdie
  • “David (Unreleased LP and More)” by David Ruffin
  • “Lady Lea” or “Excuse Me, I Want to Talk To You” by Lea Roberts
  • Late ’60s/early ’70s Little Richard: “The Explosive Little Richard,” “Every Hour With Little Richard,” “King of Rock and Roll,” “The Second Coming,” “Right Now!” (Though I have seen a couple of these but passed for budget or quality reasons.)
  • Late ’60s/early ’70s Mongo Santamaria: “Soul Bag,” “Workin’ on a Groovy Thing,” “Stone Soul,” “Feelin’ Alright,” “Mongo ’70”
  • Anything by black college marching bands with rock/soul/R&B covers

It didn’t take long before I realized the list was incomplete. Also looking for stuff by the Easybeats … another record by the Foundations … another Lionel Hampton record on Brunswick … and, well, you get the idea. It’s a fairly fluid list. That opens up possibilities for finding records I’m not looking for while digging. Which explains why the last three records I bought were:

  • “Baby Dynamite” by Carolyn Franklin from 1969.
  • “Heart & Soul” by Johnny Adams from 1969.
  • “Candy” soundtrack featuring the Byrds, Steppenwolf and Dave Grusin from 1968.

But back to the list I sent to Jim. Why, for example, am I looking for records from black college marching bands? Because “Tiger Time” by the Grambling University Marching Band is one of the coolest records I ever found, and I wasn’t looking for it. Now I’m looking for more, if they exist at all. Here’s why. Dig this!

“Ode To Billie Joe,” the Grambling University Marching Band, from “Tiger Time,” 1971. Yep, a marching band covering Bobbie Gentry.

Check out my original post about finding this record — a $2 record — to hear some cool soul covers. Dig the scintillating action they’re putting down!

 

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Filed under January 2020, Sounds

Three Christmas wishes

The first wish

Christmas bells, those Christmas bells
Ringing through the land
Bringing peace to all the world
And good will to man

“Snoopy’s Christmas,” the Royal Guardsmen, from “Snoopy and His Friends,” 1967.

In 1965, Charles Schulz started drawing Snoopy as a World War I flying ace battling the Red Baron. But “it reached a point where war just didn’t seem funny,” he told biographer Rheta Grimsley Johnson. Even so, Snoopy and the Red Baron inspired this novelty Christmas song with explosions, with gunfire and with a solid message of hope that came as the Vietnam War escalated.

The second wish

Someday all our dreams will come to be
Someday in a world where men are free
Maybe not in time for you and me
But someday at Christmastime

"Someday at Christmas" LP by Stevie Wonder, 1967.

“Someday at Christmas,” Stevie Wonder, from “Someday at Christmas,” 1967.

My friend Derek reminded me of this one on Christmas Eve morning. Thanks, man. When Stevie sings of “men” throughout this one, songwriter Ron Miller clearly means everyone, of any age.

I have this cut on “A Motown Christmas” from 1973, a record we’ve had since we had only a few Christmas records. The others from way back when? “The New Possibility: John Fahey’s Guitar Soli Christmas Album” from 1968 — here’s some of that — and “A Festival Of Carols In Brass” by the Philadelphia Brass Ensemble from 1967.

The third wish

A very Merry Christmas
And a happy new year
Let’s hope it’s a good one
Without any fear

“Happy Xmas (War Is Over),” John Lennon and Yoko Ono, the Plastic Ono Band and the Harlem Community Choir, released as a single, 1971. I’d always had it on “Shaved Fish,” the 1975 compilation LP from Lennon and the Plastic Ono Band, until I found the single a couple of years ago.

War is over, if you want it

Merry Christmas, mein friends!

Enjoy your holidays, everyone!

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Filed under Christmas music, December 2019, Sounds

Christmas Eve with Satchmo and Irma

Please enjoy our traditional Christmas Eve post.

On a winter day almost 50 years ago, Louis Armstrong went to work in the den at his home at 34-56 107th Street in Corona, Queens, New York.

That day — Friday, Feb. 26, 1971 — he recorded this:

“The Night Before Christmas (A Poem),” Louis Armstrong, 1971, from “The Stash Christmas Album,” 1985. That LP is out of print, but the original 7-inch single (Continental CR 1001) seems to be fairly common.

(This is the sleeve for that 45. You could have bought it for 25 cents if you also bought a carton of Kent, True, Newport or Old Gold cigarettes.)

There’s no music. Just “Louis Satchmo Armstrong talkin’ to all the kids … from all over the world … at Christmas time,” reading Clement Clarke Moore’s classic poem in a warm, gravelly voice.

“But I heard him exclaim as he drove out of sight, ‘Happy Christmas to all, and to all a good night. A very good night.’

“And that goes for Satchmo, too. (Laughs softly.) Thank you.”

It was the last thing he ever recorded. Satchmo, who was 69 at the time, died a little over four months later, in July 1971.

And now, we’re fulfilling another Christmas wish.

Twelve years ago, when this blog was not even a year old, our new friend Rob in Pennsylvania declared Irma Thomas’ rendition of “O Holy Night” to be “goosebump-inducing stuff.” It still is, and Rob has long since become an old friend, so we cue up this one for Rob every Christmas Eve.

“O Holy Night,” Irma Thomas, from “A Creole Christmas,” 1990. It’s out of print. It’s also on “MOJO’s Festive Fifteen,” the fine Christmas compilation CD that came with the January 2011 issue of MOJO magazine, if you can find that.

Speaking of Christmas wishes, now that our son is in grad school in Maryland, perhaps we’ll get to meet Rob in real life someday.

Enjoy your holidays, everyone.

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Filed under Christmas music, December 2019, Sounds

I gotta get out of here

They say the wind chill could reach 40 below tomorrow. Maybe the next day, too.

It’s a flashback to 1972. We’d just moved. New house, new school, for the fifth time in nine years. Kids are resilient, but for me, that was the toughest move.

At 14, during my last year of junior high, I’d finally made it into a nice circle of friends. Not the popular kids, but a group you might call the class leaders. Got to know some girls. Got invited to a couple of parties. All innocent enough, yet trusted enough to not spill the beans when some of the basketball players drank too much at another kind of party.

Then, BOOM. I went from junior high in Sheboygan one week directly into high school near Wausau, 150 miles to the northwest, the next week. So much for freshman orientation.

Being the new kid and trying to make new friends again is hard enough. Then the temperature dropped out of sight for two weeks. Thus the flashback.

Even the radio — my constant companion — added to the isolation I felt. Part of it was navigating my way to a new home on the dial. The local FM radio station, top 40 during the day, free form at night, was quite different than AM Top 40, the only format I’d ever known.

The songs on the radio didn’t help.

Neil Young’s “Heart of Gold.” America’s “Horse With No Name.” The Addrisi Brothers’ “We’ve Got To Get It On Again.” Don McLean’s “American Pie.” Downers, bummers, vaguely haunting, reflecting some kind of loneliness or loss, reinforcing a sense of isolation. Exactly where my head was at. I hear those songs today, and I still keenly feel what I felt during that bitterly cold winter of 1972. They aren’t among my favorites, save for one, Nilsson’s “Without You.”

Yet winter always gives way to spring. Track and field season started. I met a guy, my fellow team manager, who has been my friend ever since. We bonded over songs on the radio and lots of other things. More friends came along. More opportunities came along.

Better songs came along, too. I got the hang of FM radio, particularly the late-night free-form portion. But there was some adjustment necessary. As in the realization and acceptance that, all right, these are the kinds of songs they play on the radio now. Like this one.

“Halo of Flies,” Alice Cooper, from “Killer,” 1971. This is one of the first records I bought that first year in that new place. My copy still has the 1972 calendar that came with it.

 

 

 

 

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Filed under January 2019, Sounds

A revelation, a toast and a wish

Christmas begins like this.

An 11-year-old Michael Jackson will forever convey to me the excitement of Christmas morning. That Christmas songs could sound like this was a revelation to this 13-year-old kid in 1970.

“One more time, yeah! Santa Claus is comin’ to town. Oh, yeah!”

“Santa Claus is Comin’ to Town,” the Jackson 5, 1970, from “A Motown Christmas,” 1973.

Christmas continues with a toast.

“Christmas bells, those Christmas bells
“Ringing through the land
“Bringing peace to all the world
“And good will to man”

“Snoopy’s Christmas,” the Royal Guardsmen, from “Snoopy and His Friends,” 1967.

Christmas concludes with a wish.

A very Merry Christmas
And a happy new year
Let’s hope it’s a good one
Without any fear

“Happy Xmas (War Is Over),” John Lennon and Yoko Ono, the Plastic Ono Band and the Harlem Community Choir, released as a single, 1971. I’d always had it on “Shaved Fish,” the 1975 compilation LP from Lennon and the Plastic Ono Band, until I found the single last year.

Merry Christmas, mein friends!

Enjoy your holidays, everyone!

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Filed under Christmas music, December 2018, Sounds

Our Christmas Eve traditions

The first one is for our friend Rob in Pennsylvania.

Eleven years ago now, Rob declared Irma Thomas’ rendition of “O Holy Night to be “goosebump-inducing stuff.” It still is.

“O Holy Night,” Irma Thomas, from “A Creole Christmas,” 1990. It’s out of print and not available digitally, but Amazon will rip you a copy. It’s also on “MOJO’s Festive Fifteen,” the fine Christmas compilation CD that came with the January 2011 issue of MOJO magazine, if you can find it.

The other, of course, is our traditional Christmas Eve post.

On a winter day more than 45 years ago, Louis Armstrong went to work in the den at his home at 34-56 107th Street in Corona, Queens, New York.

That day — Friday, Feb. 26, 1971 — he recorded this:

“The Night Before Christmas (A Poem),” Louis Armstrong, 1971, from “The Stash Christmas Album,” 1985. That LP is out of print, but the original 7-inch single (Continental CR 1001) seems to be fairly common.

(This is the sleeve for that 45. You could have bought it for 25 cents if you also bought a carton of Kent, True, Newport or Old Gold cigarettes.)

There’s no music. Just “Louis Satchmo Armstrong talkin’ to all the kids … from all over the world … at Christmas time,” reading Clement Clarke Moore’s classic poem in a warm, gravelly voice.

“But I heard him exclaim as he drove out of sight, ‘Happy Christmas to all, and to all a good night. A very good night.’

“And that goes for Satchmo, too. (Laughs softly.) Thank you.”

It was the last thing he ever recorded. Satchmo, who was 69 at the time, died a little over four months later, in July 1971.

You just never know.

Embrace the moment, especially at Christmas.

Enjoy your holidays, everyone.

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Filed under Christmas music, December 2018, Sounds