Tag Archives: 1994

Life at 20

To mark its 20th anniversary, Mojo magazine is doing a series of interviews with “20 world-changing musicians looking back on their 20th year.”

mojo-20-241

Less grandly put, it’s about what their life was like, what their influences were, when they were 20. It’s sometimes fascinating, sometimes remarkably ordinary. As I read through these pieces, I think back to my 20th year, which also was sometimes fascinating, sometimes remarkably ordinary.

Because my birthday falls on the first day of summer, my school years are neatly defined. My 20th year was my junior year of college. It was a time of great change.

A couple of weeks before I was to leave my Wisconsin hometown, Elvis died.

That was, as I wrote seven years ago, a mild, sun-splashed Tuesday afternoon in 1977, one of those August days that seems to last forever. Especially when you are 20 and trying to wring the most out of every moment left before you leave home, knowing you are leaving home for good.

Then, seven weeks into that junior year, Lynyrd Skynyrd’s plane went down.

That was 37 years ago today, Oct. 20, 1977. I’d just picked up their new record. My vinyl copy of “Street Survivors” is the original issue, with the cover showing flames surrounding the band. In the middle, Steve Gaines stands with his eyes closed, enveloped by flames.

skynyrdstreetflames

My lingering memory is of how I’d snapped up that record, and of how quickly thereafter the band was silenced.

The loss of Lynyrd Skynyrd was greater than the loss of Elvis. I’d grown up with Skynyrd on the radio and on my stereo. Elvis was old news, old music for old people. (I was 20. I’d learn.)

Thinking back to that year of being 20, sorting through the loss of Lynyrd Skynyrd signaled that maybe this is the way you grow up. You deal with real life, which delivers blows like that. You live in a tiny apartment. There’s not much money, so you scrape by. I vividly remember saving pop bottles, then cashing them in during the last week of the fall semester and getting as many groceries as possible for that $3 or $5 or $7. Whatever it was, it wasn’t much.

Some better news came along during Christmas break. As 1977 turned to 1978, the local paper hired me. That’s another way you grow up. You go to work in your chosen profession and you keep at it for 36 years.

But when you’re 20, the new kid in the newsroom, there’s things going on that you don’t know.

lynyrd skynyrd endangered species

“Things Goin’ On,” Lynyrd Skynyrd, from “Endangered Species,” 1994. It’s their unplugged record, one I’ve enjoyed for 20 years now. It’s out of print.

This acoustic version is available only on the “Thyrty: 30th Anniversary Collection” CD, and not digitally. The original version was on Skynyrd’s 1973 debut album, “Pronounced Leh-nerd Skin-nerd.”

Please visit our companion blog, The Midnight Tracker, for more vintage vinyl, one side at a time.

Advertisements

1 Comment

Filed under October 2014, Sounds

A smaller Christmas, Day 17

There was no post here yesterday, on the 17th day of December, because there was no time for a post.

Taking care of some business in the morning and early afternoon, then working, then peeling away for the East High School winter band concert, then back to work until midnight.

Evan plays percussion in Band 2. He played tympani with his typical flair and intensity on their last number, “An English Christmas.” It was described in the program as an arrangement based on three old (and familiar) English carols: “I Saw Three Ships,” “The Wassail Song” and “What Child Is This?”

And thus, a song from yesterday.

xmasonbordercd

“What Child Is This?” Ardelio Gomez, from “Christmas On The Border,” 1994. It’s out of print and apparently not available digitally.

This has a nice chunky groove as it chugs along. It’s from a Christmas record by a bunch of Nashville session musicians. It’s described as “a spicy holiday recipe of Texas blues, hot country and Mexican salsa” but other than this song and one other, it doesn’t quite live up to that billing.

I went in search of Ardelio Gomez and found nothing. That is, nothing but an intriguing bit of speculation that this actually is gospel singer Russ Taff performing under an assumed name because of a contract issue.

Your Christmas music requests in the comments, please.

Please visit our other blog, The Midnight Tracker, for more vintage vinyl, one side at a time.

Leave a comment

Filed under Christmas music, December 2012, Sounds

The missing Christmas hits

Fascinating to read in the Milwaukee paper the other day that no Christmas song has been a hit since Mariah Carey’s “All I Want For Christmas” in 1994.

My pal JB over at The Hits Just Keep On Comin’ also took note of that story, which prompted him to ponder the state of Christmas radio then and now.

All that said, there certainly are some Christmas songs that should have hit the charts in the last 17 years. Here are some of them.

“Who Needs Mistletoe,” Julie Roberts, from “Who Needs Mistletoe,” 2011. A country song every bit as filthy as Clarence Carter’s great “Back Door Santa.”

“Oi To The World,” Severe, from the wonderful Punk Rock Advent Calendar, 2009. Well, it’s reverent as far as UK punks go.

“We Three Kings,” Blondie, a 2009 holiday release. Always fun to find Debbie Harry under the tree. Always fun to hear Blondie’s classic sound.

“Merry Christmas Baby,” Melissa Etheridge, from “A New Thought For Christmas,” 2008. Blistering vocals and blistering blues guitar. Move over, fellas.

“Silent Night,” the Blackhearts and special guests, from “A Blackheart Christmas,” 2008. Some sound bites from that year’s presidential race make it a bit of a time capsule. It once had a bit of a valedictory feel. Now it has the feel of opportunities lost.

“Silent Night,” Bootsy Collins, from “Christmas Is 4 Ever,” 2006. A sweet mashup of reverent narration, funk, R&B and gospel.

“Winter (Basse Dance),” Blackmore’s Night, from “Winter Carols,” 2006. It’s out of print but is available digitally. If you can get past that Ritchie Blackmore is no longer rocking out as he did in Deep Purple and Rainbow and not cede all the elegant guitar work to Trans-Siberian Orchestra, you might dig this instrumental.

“Wonderful Dream (Holidays Are Coming),” Melanie Thornton, from “Memories,” 2003. It’s an import that has gone out of print. This tune was used in a Coca-Cola ad after the R&B singer’s death 10 years ago, but its back story transcends marketing.

“It’s Christmas And I Miss You,” .38 Special, from “A Wild-Eyed Christmas Night,” 2001. It’s out of print but is available digitally. A gentle ballad reflecting the loneliness the season can bring. It’s co-written by guitarist Don Barnes and our friend Jim Peterik.

“Little Drummer Boy,” the Dandy Warhols, from “Fruitcake,” 1997, a Capitol Records promo EP. It’s out of print. In which the Little Drummer Boy takes a psychedelic trip.

“Santa Claus Is Comin’ (In A Boogie Woogie Choo Choo Train),” the Tractors, from “Have Yourself A Tractors Christmas,” 1995. It’s out of print but is available digitally. This fine bit of country swing actually was a modest hit on country radio in in 1995 and again in 1998. After all, it’s just their 1994 hit “Baby Likes To Rock It” retooled with new lyrics for Christmas.

“Soul Christmas,” Graham Parker and Nona Hendryx, from “Christmas Cracker,” 1994. If there were any justice, this scorcher would have been the hit from 17 years ago.

4 Comments

Filed under December 2011, Sounds

Red, white and blue revisited

As we did last year, we’re dishing up some music for your Fourth of July party.

We have some red, some white, some blue, the makings for a fine gathering. However, you still won’t find any Greenwood, if you know what I mean.

Red.

You’ll need a little something to eat and a little something to wash it down.

“Red Beans,” Marcia Ball, from “Blue House,” 1994.

“Red Red Wine,” Neil Diamond, 1967, from “Neil Diamond’s Greatest Hits,” 1968. That’s long out of print, but the song is on “Neil Diamond: The Bang Years, 1966-1968,” released earlier this year.

White.

Then you’ll need to chill.

“Ice Cream Man” and “Back Porch Therapy,” Tony Joe White, from “The Heroines,” 2004. It’s out of print but is available digitally.

Blue.

Before enjoying a nightcap or two.

“Martini 5-0,” the Blue Hawaiians, from “Sway,” 1998. It’s out of print and apparently not available digitally.

“A Shot of Rhythm and Blues,” Dave Edmunds, from “Subtle As A Flying Mallet,” 1975. Also out of print and not available digitally.

Speaking of shots …

As you the blow the fireworks, be sure to …

“Pop That Thang,” the Isley Brothers, from “Brother, Brother, Brother,” 1972.

And as you reflect on it all …

“People Got To Be Free,” Dionne Warwick, from “Soulful,” 1969. Available on “Soulful Plus,” a 2004 limited-edition release from Rhino Handmade, and digitally.

Yes, people still got to be free, even today.

2 Comments

Filed under July 2011, Sounds

12 days of Christmas, Day 10

When we started these 12 days of Christmas, I noted that in writing the Three Under the Tree series for the last three years, I picked up a bunch of old Christmas vinyl and CDs, more for you than for me.

In so doing, there were a bunch of records that had more misses than hits. Most of them were used, so there wasn’t a lot of money wasted.

This year, I bought only one Christmas CD, one I’d been seeking for a while. I bought it new, and it turned out to be another one with more misses than hits. So it goes.

Rarely do I come across a Christmas record that doesn’t have something worth hearing. I can think of a couple, but there’s no need to name names.

We’re here to put some nice things in your Christmas stocking, so hope you will enjoy these tunes from records that had some nice moments.

“Christmas Time,” the Mighty Blue Kings, from “The Christmas Album,” 2000. This Chicago group covers a tune by West Coast bluesman Jimmy McCracklin.

“Christmas Is A Special Day,” Fats Domino, from “Christmas Gumbo,” 1993. It’s out of print as such, but is available as “Christmas Is A Special Day,” a 2006 CD re-release with a different cover. Fats wrote this charming little hymn and does it in — what else? — a laid-back New Orleans style.

“We Four Kings (Little Drummer Boy),” the Blue Hawaiians, from “Christmas On Big Island,” 1995. Let a little surf wash into your Christmas.

“Have Yourself a Merry Little Christmas,” Shawn Colvin, from “A Different Kind of Christmas,” 1994. It’s out of print. A lovely, low-key version.

“Merry Christmas Darling,” Deana Carter, from “Father Christmas,” 2001. What makes this cover of the Carpenters song so remarkable is its acoustic arrangement with Carter’s father, veteran Nashville session man Fred Carter, on guitar. Deana Carter sings this in a higher register than did Karen Carpenter — and that may not be for everyone — but she nicely complements her dad. Fred Carter died earlier this year.

“Santa Claus Is Coming To Town,” the Whispers, from “Happy Holidays To You,” 1979. (The buy link is to a 2001 import CD.) Off the same album that delivered “Funky Christmas,” this is a smooth, jazzy arrangement clearly from the late ’70s.

“Joy To The World,” Aretha Franklin, 1994, from “Joy To The World,” 2006. This is an odd little compilation of Christmas songs, gospel songs and show tunes recorded over 30-plus years. This cut features Aretha backed by the Fame Freedom Choir, from the soundtrack to the 1994 remake of “Miracle on 34th Street.” That is about the only nice thing we have to say about any remake of the 1947 classic, long one of our favorite films.

“What Christmas Means To Me,” Darlene Love, from “It’s Christmas, Of Course,” 2007. A cover of the Motown song done first by Stevie Wonder.

“Christmas Is,” Lou Rawls, from “Merry Christmas Ho Ho Ho,” 1967. It’s out of print. This tune starts out with a swinging big-band arrangement, then has Lou channeling Santa Claus midway through before wrapping up with some smooth nightclub cheer. This Percy Faith tune never sounded so good.

“Merry Christmas Baby,” Melissa Etheridge, from “A New Thought For Christmas,” 2008. Etheridge lets it rip on this Charles Brown blues tune.

“Christmas Celebration,” Roomful of Blues, from “Roomful of Christmas,” 1997. The B.B. King version may be more familiar, but this take by the veteran East Coast group is pretty good.

“It’s the Most Wonderful Time,” Pete Jolly, from “Something Festive!” 1968. Long out of print. This is a Christmas sampler from A&M Records. It was sold at B.F. Goodrich tire dealers in 1968. This cut is a cool, stylish, upbeat rendition by the California jazz pianist. (You’ll also find it on “Cool Yule: The Swinging Sound of Christmas,” a UK compilation released in 2004.)

“Blue Christmas,” Ann and Nancy Wilson, from “A Very Special Christmas 2,” 1992. Not a big fan of this tune, which everyone associates with Elvis, but this is a pretty good version. Melissa Etheridge also does it justice.

“What Child Is This,” Reverend Horton Heat, from “We Three Kings,” 2005. An upbeat yet moody take — it feels a little like Morricone — on a song usually done with much reverence.

2 Comments

Filed under Christmas music, December 2010

The other guy

Rockabilly singer Robert Gordon, backed by legendary session guitarist Chris Spedding, played the lounge at our local casino earlier this week. I went to see Spedding, not Gordon. He did not disappoint.

I came to know Spedding as a session man in the early ’70s, when he played guitar and bouzouki on Harry Nilsson’s “Nilsson Schmilsson” and “Son of Schmilsson” albums, two of my faves.

I came to know Spedding as a solo performer in the mid-’80s, when “Motor Bikin’,” a hit single in the UK in 1975, got some airplay on our indie radio station in Madison, Wisconsin. That airplay came as “Ready Spedding Go,” a compilation of his UK hits, was released in the States.

When he played here, Spedding did a song I’d not heard in a long time — “Guitar Jamboree.” In it, Spedding shows off his considerable skills by playing in the style of almost a dozen different guitarists.

Here’s what Spedding says about “Guitar Jamboree” on his web site:

“That’s just a one-off track that I thought of. … I figured that I ought to give all the people who know me as a guitar player a bit of flash guitar — which I don’t know why they expect flash guitar from me because I’ve never, ever done it, but I get the distinct impression that people expect me to be a flash guitarist. The reason I don’t normally do it is because I find it incredibly boring and unfulfilling. So what I did was to construct ‘Guitar Jamboree,’ an interesting song about lots of interesting things, around a few flash guitar solos.”

Indeed, Spedding is laid back on stage. His guitar does the talking.

chrisspeddingreadygolp

Spedding as solo performer:

“Guitar Jamboree,” Chris Spedding, from “Ready Spedding Go,” 1984. Originally released in the UK on “Chris Spedding,” 1975.

“Hurt By Love” Chris Spedding, from “Ready Spedding Go,” 1984. Originally released in the UK on “Hurt,” 1977. Chrissie Hynde sings backup vocals on this one.

“Ready Spedding Go” is out of print, but both of these tunes are available on “The Very Best of Chris Spedding,” a 2007 import. The UK album links also are to import CDs.

otisblackwelltributebraceyourselfcd

Spedding as duet performer:

“Hey Little Boy (Little Girl),” Chris Spedding and Chrissie Hynde, from “Brace Yourself! A Tribute To Otis Blackwell,” 1994. Spedding plays on several cuts on this record. It’s out of print, but is available digitally.

spedding72

Spedding as session man:

“Jump Into The Fire,” Harry Nilsson, from “Nilsson Schmilsson,” 1971. Plenty of flash solos on this familiar one, all as Spedding and Klaus Voorman quietly play rhythm guitar.

“At My Front Door,” Harry Nilsson, from “Son of Schmilsson,” 1972. A rollicking cover of the tune also known as “Crazy Little Mama,” a No. 1 hit on the R&B charts for the El Dorados in 1955. That’s Spedding and Peter Frampton on the electric guitars.

Want to hear more Nilsson? Head over to our other blog, The Midnight Tracker, to hear the rest of Side 2 of “Son of Schmilsson.”

3 Comments

Filed under March 2009, Sounds

Do your thing at the polls

As a 30-year veteran of the Mainstream Media, I am obliged — no, required — to preserve the illusion of objectivity when it comes to matters of public interest.

That renders me a bit of a second-class citizen at any time, but particularly at election time. Unlike many of my fellow music bloggers, I am not free to tell you who I have supported during this long presidential campaign, not that it would factor in your decision.

Regardless, please go vote on Tuesday … unless you’ve already done so, as I have.

Hear, then, the voice of Roebuck “Pops” Staples.

Somebody out there got to listen
Somebody out there got to know what I’m talkin’ ’bout
Raise your hands, raise your hands if you’re with me
Give us hope in a hopeless world

You’ve got to listen to the voice inside
About peace and love; don’t compromise
Realize that time is passing by

There are mountains to climb
Can’t be standing still

popsfather2cd

“Hope In A Hopeless World,” Pops Staples, from “Father Father,” 1994. Out of print, but mp3s available from Amazon.

kashmerestagebandcd

Indeed, do your thing.

“Do Your Thing,” Kashmere Stage Band, from “Texas Thunder Soul: 1968-74,” 2006. The funkiest high school band you ever heard. It blew out of Houston, Texas, during the Nixon administration.

Leave a comment

Filed under November 2008, Sounds