Tag Archives: Eddie Floyd

Four records at a time

It took a pandemic for me to listen to a bunch of my records. Not sure what that says about me, but there you go.

Staying home and socially distancing wasn’t too bad until the weather turned cold up here in Wisconsin and really kept us inside. So I just kept dropping record after record onto the turntable. No ripping to digital. Just let it go, man.

Four records make for a nice night of listening while surfing or writing.

Some records take me right back to where I found them, a nice memory.

Some records have startling moments. Those, I’ll circle back on and rip a little something from. Eddie Floyd’s “Down To Earth” LP was the first eye-opener. Then the scorching “Involved” by Edwin Starr. Then “Dreams/Answers,” Rare Earth’s rarely-seen debut LP. Then a couple of alternate Beatles takes from the 2017 re-release of “Sgt. Pepper’s Lonely Hearts Club Band.” 

There you have it, four records.

Four records also make for a nice visual presentation when you post to Facebook or Twitter. If you follow me either place, you’ve seen a lot of them, especially this month for Black History Month. Today will make it 23 such posts — 92 records, all by Black artists — over 28 days and nights.

From the Black History Month social posts, some records that’ll get more spins:

— “Young, Gifted and Black” is by far the best Aretha Franklin record in my crates. That was a $1 record. Looked rough, played fine.

— Didn’t know about Johnny Adams, but, man, could he sing.

— Marvin Gaye’s “What’s Going On” has lost none of its punch.

— The instrumentals on “James Brown Plays New Breed (The Boo-Ga-Loo)” really cook.

— Ike and Tina Turner’s early live records are astonishing.

— Definitely going back for seconds on the “Cleopatra Jones” soundtrack featuring Joe Simon and Millie Jackson. That was a $3 record found in a box on the floor at a record show in Indianapolis.

— Timmy Thomas got a lot of mileage out of that syncopated beat on “Why Can’t We Live Together,” which isn’t necessarily a bad thing. Found that at a record store that no longer exists.

There you have it. Eight records, two nights’ worth of listening.

When I spent a couple of nights listening to blaxploitation soundtracks last week, I circled back to the first record I ever wrote about here. I’m talking ’bout “Shaft.”

I was 14 when I bought this record in 1971.

With that, we quietly mark 14 years here at AM, Then FM. Can you dig it?


Filed under February 2021, Sounds

Getting down … to Earth

Got nothing else to do during the pandemic, so I’ve been playing a bunch of my records. Listen, OK, listen, OK, listen, OK, listen, OK. Not necessarily ripping them, though.

"Down To Earth" LP by Eddie Floyd, 1971

Then I dropped Eddie Floyd’s “Down To Earth” on the turntable the other night, and right out of the gate … WHAT is this? Oh, yeah. Gotta rip this.

Expecting more of Eddie Floyd’s smooth Memphis soul and R&B vocals, it was anything but. It’s Eddie Floyd and guitarist Steve Cropper getting heavy and getting freaky with some help from songwriter Sir Mack Rice. They’re all experimenting. It is 1971, after all, and times are changing.

“Down To Earth” begins with a cover of Curtis Mayfield’s “People Get Ready.” I did not expect that heavy rock guitar intro, nor for things to go from there to smooth soul to some Doobie Brothers-style rocking out to taking it back down before steaming through a furious finish.

“People Get Ready,” Eddie Floyd, from “Down To Earth,” 1971.

Then we trippin’. Eddie covers the Detroit Wheels’ “Linda Sue Dixon” — Sir Mack’s LSD shout-out — followed by “My Mind Was Messed Around At The Time,” in which Eddie loses his lady because “I guess I got a little too high.”

“Linda Sue Dixon,” Eddie Floyd, from “Down To Earth,” 1971.
“My Mind Was Messed Around At The Time,” Eddie Floyd, from “Down To Earth,” 1971.

The last cut on the record, “Changing Love,” is equal parts Southern jam and full-on psychedelic soul as imagined by Floyd and Cropper.

“Changing Love,” Eddie Floyd, from “Down To Earth,” 1971.

Can’t say there’s a bad cut on the record.

(Yes, this post looks a bit different. Trying to learn the new-to-me WordPress block editor on the fly after 13 years with the original editor.)

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Filed under October 2020, Sounds

My introduction to Eddie Floyd

I was late to the party, as usual, when it came to Eddie Floyd, the great but often unheralded Stax soul singer.

Seven years ago, Mojo magazine included a compilation of Southern soul music with its May issue. On that CD was a song called “I’ll Take Her.” Its premise, simply put in its lyrics: If you don’t want her, I’ll take her.

That upbeat tune, with Floyd’s smooth voice lifted by some sweet horns and backup singers as it chugged along, hooked me. Truth be told, I don’t think I’d been aware of him before that.


“I’ll Take Her,” Eddie Floyd, from “I’ve Never Found A Girl,” 1969. The LP out of print as such, but it’s half of “Rare Stamps,” a two-fer CD with his second and third Stax LPs on it. I don’t have this LP. I’ve never seen it while record digging. This rip is from the Mojo comp.

Floyd wrote this cut with songwriter Joe Shamwell and the great Memphis guitarist Steve Cropper. He worked with both of them while a songwriter at Stax Records in the mid-’60s.

To hear more Eddie Floyd, head over to The Midnight Tracker.

There, at our lightly traveled companon blog, one side of his debut album from 1967 has materialized through the sweet blue haze of time.

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Filed under November 2012, Sounds