Tag Archives: Emily Hurd

12 days of Christmas, Day 12

We were talking the other night about Christmas presents for our son, who’s 15, a sophomore in high school. At issue was whether we have that one big gift, the one with the wow factor.

I was thinking back to when I was 15, what that one big gift was. It was Christmas 1972. That one big gift was this:

That is a suede leather Converse All-Star basketball shoe, gold with black trim. I, too, was a sophomore the year I got a pair. It was a big deal. I’m not sure my parents fully understood the attraction, but they popped for the $15 — almost $75 in today’s dollars — to get them. I wore them until they wore out, then kept them around for years as something close to sandals.

There are other good memories of that one big gift. The Tickle Bee game, G.I. Joe, the Packers helmet and jersey, and, of course, that Panasonic AM-FM radio.

Now we have one big gift for you. More of our favorite Christmas tunes, the ones without which it wouldn’t be Christmas.

“Happy Xmas (War Is Over),” John Lennon and Yoko Ono, the Plastic Ono Band and the Harlem Community Choir, released as a single, 1971. A remastered version is available on  “Gimme Some Truth,” a 4-CD compilation released earlier this year.

“And so this is Christmas, and what have you done?

“Snoopy’s Christmas,” the Royal Guardsmen, from “Snoopy and His Friends,” 1967. (The link is to a double CD also featuring “Snoopy vs. the Red Baron,” their debut album from 1966.)

“Merry Christmas, mein friend!

“Winter Wonderland,” Steve Goodman, from “Artistic Hair,” 1983. I bought this record at his show in Madison, Wisconsin, in April of that year. He signed it “Joe — Hello.”

“It’s kind of absurd/when you don’t know the words/to sing/
walkin’ in a winter wonderland!”

“All I Want for Christmas,” Timbuk3, 1987, from “A Different Kind of Christmas,” 1994. It’s out of print. Pat MacDonald grew up here in Green Bay and has returned. These days, he performs as pat mAcdonald — he insists on that spelling. His gig notices also say “Timbuk3 (no space!) is to be mentioned in a biographical context only.” So there!

“All I want for Christmas is world peace.”

“Merry Christmas Baby (alternate edit),” Elvis Presley, 1971, from “Reconsider Baby,” 1985. It’s out of print, and pricey if you can find it. It’s my favorite Elvis record, full of his blues tunes. That it’s on blue vinyl is just icing on the cake.

“Wake up, Putt!”

“Twelve Days of Christmas,” Bob and Doug McKenzie, from “Great White North,” 1981.

“OK, so g’day, this is the Christmas part.”

“Santa Claus and his Old Lady,” Cheech and Chong, from Ode single 66021, released December 1971. Also available on “Where There’s Smoke, There’s Cheech and Chong,” a 2-CD best-of compilation released in 2002.

“We could sure use a dude like that right now.”

No great lines, just great tunes

“White Christmas,” the Edwin Hawkins Singers, from “Peace Is ‘Blowin’ in the Wind’.” 1972. It’s out of print with that title, but is available as “Edwin Hawkins Singers Christmas,” with essentially the same cover. This has a great solo by Tramaine Davis.

“Christmas Medley,” the Salsoul Orchestra, from “Christmas Jollies,” 1976. This is 12 minutes of soul, salsa and dance bliss. An instant party starter.

“Halleujah! It’s Christmas,” .38 Special, from “A Wild-Eyed Christmas Night,” 2001. Re-released in 2008 as “The Best of .38 Special: The Christmas Collection,” one of those 20th Century Masters reissues. This joyous, upbeat tune — written by guitarists Don Barnes and Danny Chauncey and lead singer Donnie Van Zant — ought to be a classic.

“Feliz Navidad,” Robert Greenidge, from “It’s Christmas, Mon!”, 1995. It’s out of print. Though Greenidge gets no cover billing on this CD, he’s playing the steel pan. He’s been with Jimmy Buffett’s Coral Reefer Band since 1983. Earlier this year, Greenidge and his bandmates released “A Coral Reefer Christmas” on Buffett’s Mailboat Records label. This tune is not on that record.

“Christmas in the City of the Angels,” Johnny Mathis, from Columbia 1-11158, a 7-inch single, 1979. Though Mathis has recorded several Christmas albums, this cut never made it onto one. People ask for it every year. (This cut has gone from radio to tape to CD, and then ripped, so that may explain the sound quality if you find it lacking.)

Bonus gifts!

Some of our friends have sent along some tunes they thought you’d like.

“Must Have Been A Mighty Day,” Emily Hurd, from “Tins and Pins and Peppermints,” 2010. She’s a singer-songwriter from Chicago by way of Rockford, Ill., where we have a mutual friend. It’s been interesting to listen to her style evolve, moving from loose and gritty to far more poised and polished. This tune has a bit of both styles. She previewed this record for fans last year, then released it this year.

“Cashing In On Christmastime,” Charles Ramsey, 2010. He’s a singer-songwriter from Philadelphia who has some other nice, non-holiday stuff on his MySpace page. This genial, laid-back cut reminds me of Bob Dylan or Tom Petty with the Traveling Wilburys.

“Christmas Medley,” the Midwesterners, 2009. A pleasant little instrumental featuring Richard Wiegel, the guitarist in this band out of Madison, Wisconsin. He was one of the guitarists in Clicker, the much-loved ’70s Wisconsin rock/pop/glam/show band we write about from time to time.

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Filed under Christmas music, December 2010

The other music festival

Does it seem to you as if all the cool kids are at SXSW in Austin?

If so, feel free to soak in the vibe for the next few nights here at …

nxmw1

Yeah, we spent hours on the logo.

Welcome to NXMW — North by Midwest — 2009.

We’ll celebrate music from our part of America here at NXMW 2009. Some old, some new. Might as well start in that indie spirit.

We’re long overdue in introducing you to Emily Hurd.

She e-mailed me last fall, saying a friend had pointed her my way. She hails from Rockford, Illinois, where we have a mutual friend in my old pal Meat.

Hurd is a songwriter who isn’t shy about billing herself as a soul singer. Among her influences: Hoagy Carmichael, Solomon Burke, Kris Kristofferson, Otis Redding, Janis Joplin, Ray Charles and Mavis Staples. She’s working on her sixth album, due out this year.

She sent along a video and a couple of mp3s. You’ll certainly hear those influences.

Video: “The Likes of You.”

Tunes: “Give It Time” and “Make A Bed,” all by Emily Hurd, from “A Cache in the Warehouse Floor,” 2008.

emilyhurdcachecd

This is what Hurd says about this record:

“Some of these songs sound like Aretha Franklin singing Tom Waits and others dip into the same well that fed Cooke, Redding, Charles, Witherspoon and Sykes. With the help of the organ and electric guitar, the sounds on this record are as huge as the lyrics.”

“Make A Bed” uses that organ and guitar to deliver a bit of a gospel sound. “Give It Time” works a little harder, with a nice horn chart that sounds like it came from Muscle Shoals.

I hope to hear more on Friday night, when she plays a gig at a coffee house not too far from us.

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Filed under March 2008, Sounds