Tag Archives: Lalo Schifrin

I approved this message, too

Heading out to lunch today, we saw a campaign sign stuck in the ground at the corner as we turned onto the highway. Heading home, we saw three more on the other side of the corner.

The only problem: You can’t plant campaign signs on the public portion of highway right-of-day in Wisconsin.

My friend Glick checked the law and sagely observed: “Fines: $10 to $100. The cynic in me thinks some will see this as chump change and a small cost of doing business.”

He could be right. Perhaps it’s all part of …

“The Plot,” Lalo Schifrin, from “Music from ‘Mission: Impossible’,” 1967. It’s out of print, even a 1996 CD reissue.

If you watched “Mission: Impossible” at all during the ’60s and ’70s, you probably heard bits of this as things got dicey. This is the full version, one you may not have heard, complete with groovy, mood-setting harpsichord.

This is just a little taste of what’s new at The Midnight Tracker, a lightly-traveled blog where we feature album sides brought back from the sweet blue haze of time. Your mission there, should you decide to accept it, is to enjoy our notion of a soundtrack for the political intrigue of the moment.

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Filed under November 2012, Sounds

Goin’ down Highway 51

We used to play a little game as we sat in The Hose’s living room, quaffing Hamm’s beer and watching basketball on a tiny black-and-white TV. We’d pick up the paper and check out the daily list of celebrity birthdays.

So let’s play “Who’s Older?” for June 21, shall we?

Ray Davies of the Kinks. I’ve never really been into the Kinks, but I do like this album:

“Apeman,” the Kinks, from “Lola Versus Powerman and the Moneygoround, Part One,” 1970. (You’ve heard the fabulous “Lola” enough. Here’s the single that followed “Lola.” Its notion of fleeing modern society holds up pretty well almost 40 years later. Ray Davies wrote both tunes.)

Aerosmith drummer Joey Kramer, who co-wrote this song (which Evan may find on Guitar Hero: Aerosmith some day).

“Pandora’s Box,” Aerosmith, from “Get Your Wings,” 1974.

Joe Molland of Badfinger, who played guitar on this, the terrific B side to the “Come and Get It” single, which I had when I was 12:

“Rock of All Ages,” Badfinger, from “Magic Christian Music,” 1970. (Thanks to the gents over at Popdose for posting this a couple of months ago.)

Lalo Schifrin, who composed several memorable TV themes, including this one:

“Mannix,” Lalo Schifrin, 1967, from “Crime Stoppers: TV’s Greatest P.I. Themes,” a 2000 CD compilation that’s out of print. (This is the long version, with an extra minute you may not have heard.)

Think you know who’s older?

Schifrin is 76. Davies is 64. Molland is 61. Kramer is 58.

And I am 51. I’ve driven quite a few miles on Highway 51, too.

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Filed under June 2008, Sounds

Spinning wheels, spinning records

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Come 7 a.m. Saturday, I’ll be in Two Harbors, Minnesota, trying to stay warm — the overnight low is expected to be 31 — and waiting to start the NorthShore Inline Marathon.

We skate 26.2 miles from the outskirts of Two Harbors into Duluth, most of it along Lake Superior on old Scenic Highway 61. When we get into Duluth, we skate the last 3 miles on the southbound lanes of Interstate 35, which is closed to its usual traffic just for our event.

This will be my 12th marathon, and my 10th in Duluth. I’m not an elite skater. Far from it. The elite skaters usually cross the finish line when I’m only halfway, still 13.1 miles out. I train all summer, and still I go slow.

(The photo above is from the start of the 1998 NorthShore Inline Marathon, my first one. I’m the guy in the bright gold Packers shorts at lower right.)

Some of my fellow skaters have their iPods on their belt and their earbuds under their helmet. Not me, and solely for safety reasons.

Much as I would love to have tunes while skating, it’s more important that I hear someone coming from behind, or from the side. Especially while skating on a two-lane road with 3,200 people.

If I did burn a mix that would get me through more than 2 hours of skating, it would be heavy on TV and movie themes. You know, the dramatic, often upbeat music that pulled you into the show. Believe it or not, kids, there was a time when TV intros ran at least a minute each and the outros weren’t banished to a tiny portion of the screen.

Whether for the music or the show or both, hope these bring back some memories. All the albums and CDs mentioned below are out of print.

“Theme from S.W.A.T.,” Rhythm Heritage, from the ABC-TV show that ran from 1975 to 1976. I found this cut a while back over at Palms Out Sounds.

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The next three cuts are from “Television’s Greatest Hits,” a 1985 double-LP compilation of 65 TV themes from the ’50s and ’60s.

“The Mod Squad,” Earle Hagen, from the ABC-TV show that ran from 1968 to 1973.

“Mannix,” Lalo Schifrin, the TV edit from the CBS-TV show that ran from 1967 to 1975.

“The Jetsons,” Hanna-Barbera, with Bud Brisbois on that wild trumpet, from the ABC-TV show that ran from 1962 to 1963, then forever in reruns. Perhaps the best cartoon theme ever. This version might be the intro and the outro edited together.

The next two cuts are from “Crime Stoppers: TV’s Greatest P.I. Themes,” a TV Land compilation, 2000.

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“Mannix,” Lalo Schifrin, a more complete version of the song.

“Harry O,” the John Gregory Orchestra, from the ABC-TV show that ran from 1974 to 1976.

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“The Real Adventures of Jonny Quest,” Hanna-Barbera, from the Cartoon Network show that ran in 1996. It was a bad revival of the cartoon that originally ran on ABC in 1964 and 1965, but it had a great new theme. This cut is from “Cartoon Network Cartoon Medley,” a 1999 compilation of 38 cartoon themes from the ’40s to the ’90s.

The last two cuts are from a Mojo magazine compilation, “Mojo 2002-06: The Score.”

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“The Taking of Pelham One Two Three,” David Shire, from the 1974 film of the same name. The soundtrack was issued on CD in 1996.

And, finally, one of our favorites (or guilty pleasures):

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“Truck Turner,” Isaac Hayes, from the 1974 film of the same name. The soundtrack was issued on CD in 2002.

Roll credits: The title of today’s post is adapted from an original idea by Evan Ash.

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Filed under September 2007, Sounds