Tag Archives: Melissa Etheridge

A smaller Christmas, Day 16

Went back to work today, and was whipsawed between two big stories.

For most of the day, it was the Packers and the Bears, an NFL grudge match that goes back decades. Yet that football game — only a game, but so important to so many, so deeply etched in our culture — faded to insignificance when it came time for the story out of Newtown, Connecticut.

It was like going through a portal, stepping from the roar of the stadium into the silence of church, especially during the evening vigil at which the president spoke.

Trying to reconcile all that, I thought back to what a friend wrote Friday, as everyone tried to process the news out of Connecticut.

“Peace, love and art is the beacon.”

So here is a song about peace and love at Christmas.

A beacon cutting through the darkness.

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“Glorious,” Melissa Etheridge, from “A New Thought For Christmas,” 2008. Also available digitally.

You hear echoes of the “Gloria” chorus of “Angels We Have Heard On High.”

“Love, love, love, it’s glorious.”

“Believe in heavenly, in heavenly peace.”

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Filed under Christmas music, December 2012, Sounds

The missing Christmas hits

Fascinating to read in the Milwaukee paper the other day that no Christmas song has been a hit since Mariah Carey’s “All I Want For Christmas” in 1994.

My pal JB over at The Hits Just Keep On Comin’ also took note of that story, which prompted him to ponder the state of Christmas radio then and now.

All that said, there certainly are some Christmas songs that should have hit the charts in the last 17 years. Here are some of them.

“Who Needs Mistletoe,” Julie Roberts, from “Who Needs Mistletoe,” 2011. A country song every bit as filthy as Clarence Carter’s great “Back Door Santa.”

“Oi To The World,” Severe, from the wonderful Punk Rock Advent Calendar, 2009. Well, it’s reverent as far as UK punks go.

“We Three Kings,” Blondie, a 2009 holiday release. Always fun to find Debbie Harry under the tree. Always fun to hear Blondie’s classic sound.

“Merry Christmas Baby,” Melissa Etheridge, from “A New Thought For Christmas,” 2008. Blistering vocals and blistering blues guitar. Move over, fellas.

“Silent Night,” the Blackhearts and special guests, from “A Blackheart Christmas,” 2008. Some sound bites from that year’s presidential race make it a bit of a time capsule. It once had a bit of a valedictory feel. Now it has the feel of opportunities lost.

“Silent Night,” Bootsy Collins, from “Christmas Is 4 Ever,” 2006. A sweet mashup of reverent narration, funk, R&B and gospel.

“Winter (Basse Dance),” Blackmore’s Night, from “Winter Carols,” 2006. It’s out of print but is available digitally. If you can get past that Ritchie Blackmore is no longer rocking out as he did in Deep Purple and Rainbow and not cede all the elegant guitar work to Trans-Siberian Orchestra, you might dig this instrumental.

“Wonderful Dream (Holidays Are Coming),” Melanie Thornton, from “Memories,” 2003. It’s an import that has gone out of print. This tune was used in a Coca-Cola ad after the R&B singer’s death 10 years ago, but its back story transcends marketing.

“It’s Christmas And I Miss You,” .38 Special, from “A Wild-Eyed Christmas Night,” 2001. It’s out of print but is available digitally. A gentle ballad reflecting the loneliness the season can bring. It’s co-written by guitarist Don Barnes and our friend Jim Peterik.

“Little Drummer Boy,” the Dandy Warhols, from “Fruitcake,” 1997, a Capitol Records promo EP. It’s out of print. In which the Little Drummer Boy takes a psychedelic trip.

“Santa Claus Is Comin’ (In A Boogie Woogie Choo Choo Train),” the Tractors, from “Have Yourself A Tractors Christmas,” 1995. It’s out of print but is available digitally. This fine bit of country swing actually was a modest hit on country radio in in 1995 and again in 1998. After all, it’s just their 1994 hit “Baby Likes To Rock It” retooled with new lyrics for Christmas.

“Soul Christmas,” Graham Parker and Nona Hendryx, from “Christmas Cracker,” 1994. If there were any justice, this scorcher would have been the hit from 17 years ago.

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Filed under December 2011, Sounds

12 days of Christmas, Day 10

When we started these 12 days of Christmas, I noted that in writing the Three Under the Tree series for the last three years, I picked up a bunch of old Christmas vinyl and CDs, more for you than for me.

In so doing, there were a bunch of records that had more misses than hits. Most of them were used, so there wasn’t a lot of money wasted.

This year, I bought only one Christmas CD, one I’d been seeking for a while. I bought it new, and it turned out to be another one with more misses than hits. So it goes.

Rarely do I come across a Christmas record that doesn’t have something worth hearing. I can think of a couple, but there’s no need to name names.

We’re here to put some nice things in your Christmas stocking, so hope you will enjoy these tunes from records that had some nice moments.

“Christmas Time,” the Mighty Blue Kings, from “The Christmas Album,” 2000. This Chicago group covers a tune by West Coast bluesman Jimmy McCracklin.

“Christmas Is A Special Day,” Fats Domino, from “Christmas Gumbo,” 1993. It’s out of print as such, but is available as “Christmas Is A Special Day,” a 2006 CD re-release with a different cover. Fats wrote this charming little hymn and does it in — what else? — a laid-back New Orleans style.

“We Four Kings (Little Drummer Boy),” the Blue Hawaiians, from “Christmas On Big Island,” 1995. Let a little surf wash into your Christmas.

“Have Yourself a Merry Little Christmas,” Shawn Colvin, from “A Different Kind of Christmas,” 1994. It’s out of print. A lovely, low-key version.

“Merry Christmas Darling,” Deana Carter, from “Father Christmas,” 2001. What makes this cover of the Carpenters song so remarkable is its acoustic arrangement with Carter’s father, veteran Nashville session man Fred Carter, on guitar. Deana Carter sings this in a higher register than did Karen Carpenter — and that may not be for everyone — but she nicely complements her dad. Fred Carter died earlier this year.

“Santa Claus Is Coming To Town,” the Whispers, from “Happy Holidays To You,” 1979. (The buy link is to a 2001 import CD.) Off the same album that delivered “Funky Christmas,” this is a smooth, jazzy arrangement clearly from the late ’70s.

“Joy To The World,” Aretha Franklin, 1994, from “Joy To The World,” 2006. This is an odd little compilation of Christmas songs, gospel songs and show tunes recorded over 30-plus years. This cut features Aretha backed by the Fame Freedom Choir, from the soundtrack to the 1994 remake of “Miracle on 34th Street.” That is about the only nice thing we have to say about any remake of the 1947 classic, long one of our favorite films.

“What Christmas Means To Me,” Darlene Love, from “It’s Christmas, Of Course,” 2007. A cover of the Motown song done first by Stevie Wonder.

“Christmas Is,” Lou Rawls, from “Merry Christmas Ho Ho Ho,” 1967. It’s out of print. This tune starts out with a swinging big-band arrangement, then has Lou channeling Santa Claus midway through before wrapping up with some smooth nightclub cheer. This Percy Faith tune never sounded so good.

“Merry Christmas Baby,” Melissa Etheridge, from “A New Thought For Christmas,” 2008. Etheridge lets it rip on this Charles Brown blues tune.

“Christmas Celebration,” Roomful of Blues, from “Roomful of Christmas,” 1997. The B.B. King version may be more familiar, but this take by the veteran East Coast group is pretty good.

“It’s the Most Wonderful Time,” Pete Jolly, from “Something Festive!” 1968. Long out of print. This is a Christmas sampler from A&M Records. It was sold at B.F. Goodrich tire dealers in 1968. This cut is a cool, stylish, upbeat rendition by the California jazz pianist. (You’ll also find it on “Cool Yule: The Swinging Sound of Christmas,” a UK compilation released in 2004.)

“Blue Christmas,” Ann and Nancy Wilson, from “A Very Special Christmas 2,” 1992. Not a big fan of this tune, which everyone associates with Elvis, but this is a pretty good version. Melissa Etheridge also does it justice.

“What Child Is This,” Reverend Horton Heat, from “We Three Kings,” 2005. An upbeat yet moody take — it feels a little like Morricone — on a song usually done with much reverence.

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Filed under Christmas music, December 2010

Three under the tree, Day 27

“O Holy Night,” written in 1847 by French composer Adolphe Adam, is one of those Christmas standards that frequently receives a reverent treatment, yet all too often a treatment that turns an epic sonic blast.

Tonight, we find three under the tree that treat “O Holy Night” a little differently, a little more downbeat.

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“O Holy Night,” Easy Anthems, from “Hark!” 2007.

Remarkably, this record was a free download last year, and I was delighted to have found it. Easy Anthems is an Americana group led by the Long Island husband-and-wife team of Philip A. Jimenez and Vanesa Alvero Jimenez. Theirs is a laid-back version featuring Vanesa’s strong, soulful vocals, Philip’s gentle guitar and Paul Loren’s Wurlitzer electric piano.

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“O Night Divine,” Melissa Etheridge, from “A New Thought For Christmas,” 2008.

This is the only new Christmas record I bought this year. It has its moments, and this is one. While not “O Holy Night,” this tune incorporates bits of it. You hear it in Philip Sayce’s long, sizzling guitar solo, which starts about a minute in. You hear it again about two-thirds of the way through, when Etheridge winds up her scorching vocals. It’s different — music from long ago, lyrics for today — but I like it.

“O Holy Night,” Irma Thomas, from “A Creole Christmas,” 1990. It’s out of print and much in demand.

Last year, our fellow music blogger Jason Hare’s Mellowmas series (since moved to Popdose) offered Jim Nabors’ take on this tune. In the comments was this tip from a reader named Rob:

“For a GREAT take on this song, check out Irma Thomas’ version on a compilation called ‘A Creole Christmas.’ Goosebump-inducing stuff.”

Rob was correct, and we posted it over here at AM, Then FM.

Reverent but thrilling, this version is done as a New Orleans dirge with some terrific Hammond organ. Still the best.

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Filed under Christmas music, December 2008, Sounds