What a time we have lived in.
That realization comes more often as those of us of a certain age get older. When we were kids in the ’60s, there were four TV channels.
On those four channels, there was a thing called the variety show. You could hear some comedic and dramatic monologues, see some skits and production numbers, and hear Broadway songs, pop standards, pop hits and — after a while, grudgingly, it often seemed — rock music.
Folk music was part of that rich cultural stew, too. That’s where I must have heard Pete Seeger and his songs.
In a lifetime of listening to music, his songs are part of the foundation of everything I know. They’re some of the first songs I ever came to know as a grade-school kid in the ’60s. “This Land Is Your Land” was the most memorable. But I also came to know “If I Had A Hammer,” “Where Have All The Flowers Gone,” “Goodnight Irene,” “Rock Island Line” and “The Lion Sleeps Tonight.”
But as I grew up and my tastes changed, folk music just wasn’t my bag. John Prine and Steve Goodman were as close I got to folk. Pete Seeger was, and is, no less great, but I’ve long known more of his songs done as covers than as his originals. I don’t have any Pete Seeger records.
My dad had this record, so we played it endlessly as kids. This song and “Puff,” one of the saddest songs I know, over and over.
My dad loved trains, so of course we loved this train song. It’s the first cut on Johnny Cash’s debut LP. (I bought this record in the late ’80s, and only recently realized it was his first LP.)
(I used to have “Goodnight Irene” on a Ry Cooder record, but it went out in one of the Great Record Purges.)
All these covers inspired by Pete Seeger, a national treasure whose work is timeless, whose influence endures.
Please visit our companion blog, The Midnight Tracker, for more vintage vinyl, one side at a time.