Tag Archives: Ringo Starr

After Ringo, what’s next?

So anyway, we saw Ringo Starr and His All-Starr Band in Milwaukee last month.

Ringo is surprisingly elfin and nimble for a gent of 78. That’s him in the striped pants in front of the drum kit with the star on it. He bounced from center stage up a few steps to his drum kit and then back down and back up and back down with ease. Peace and love, everyone, peace and love.

The show was exactly as billed. A greatest-hits show by Ringo and his bandmates — Colin Hay from Men At Work (only Ringo got bigger cheers), Graham Gouldman from 10cc (a polite reception for his elegant songs), Steve Lukather from Toto (with a nod to those Weezer covers) and Gregg Rolie from Santana and Journey (“Oye Como Va” is still damn near a showstopper).

Of course, everyone was there to see and hear one of the Beatles. Ringo did not disappoint. Still irreverent, still cracking wise. Your favorite uncle sang his Beatles songs. Peace and love, everyone, peace and love.

Ringo opened with “Matchbox,” “It Don’t Come Easy” and “What Goes On,” noting that the latter was the only Beatles song credited to Lennon, McCartney and Starkey. “The credits should be reversed!” Ringo insisted, smiling. After one song each by his bandmates, Ringo did “Boys” and “Don’t Pass Me By.”

Then Ringo played “Yellow Submarine,” the 10th song of the show. After singing along like everyone else, I turned to Janet, smiled and said “OK, we can go now.”

But Ringo wasn’t done. There was “You’re Sixteen” (even the Ringo faithful at the show agreed it’s inappropriate now as then, and they’d prefer “No-No Song” to that) and “Anthem” (a polite reception for that one, too). “I Wanna Be Your Man” was dropped into the middle of a long set of songs by his bandmates.

The show wrapped with “Photograph,” “Act Naturally” and a wonderful sing-along medley of “With A Little Help From My Friends” and “Give Peace A Chance.” Peace and love, everyone, peace and love.

Which leads us to the question posed above. After Ringo, what’s next?

Our local record show, the Green Bay Record Convention, is coming up on the last Saturday of October. That night, there are two shows I’d like to see, each a distinctly different genre in a distinctly different venue. What say you?

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Filed under October 2018, Sounds

With a little help from his friends

Let’s say a new record came out today. All four Beatles are on that record. That would be a big deal, wouldn’t it?

Let’s say some of their pals are on that new record. You might have heard of them. Klaus Voormann and Billy Preston and Harry Nilsson and Marc Bolin and Nicky Hopkins. The Band, too. That would be quite a big deal, wouldn’t it?

But when that new record came out 40 years ago this month, some lamented it for what it was not, rather than celebrating for what it was.

What it was not, was a new Beatles record. As 1973 came to a close, fans clung to the hope that such a thing might still be possible.

What it was, was this.

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“Ringo,” the third solo LP by Beatles drummer Ringo Starr with a little help from his friends, holds up quite nicely all these years later.

It rose to No. 2 on the Billboard album chart, driven by three hit singles: “Photograph,” which Ringo wrote with George Harrison; “Oh My My,” a Ringo original; and “You’re Sixteen,” Ringo’s cover of the old Johnny Burnette song.

Yet the deep cuts had something for everyone seeking that next Beatles record.

“I’m The Greatest,” a whimsical look at fame written by John Lennon. It’s basically a Beatles track with all parties except Paul McCartney.

“Six O’Clock.” There’s Paul (and Linda), with a regret-filled love song written by them. It channels the Beatles and points the way toward Wings.

“Sunshine Life For Me (Sail Away Raymond),” written by George. It’s basically Ringo and George fronting The Band with David Bromberg. It sounds like an Irish folk song. Listen closer, consider The Band’s involvement, and you hear another nod to a Beatle’s American influences.

Back then, I had “You’re Sixteen” on a 45. I loved it. I was 16. Some symmetry there. When you flipped it over, you heard this on the B side.

“Devil Woman,” Ringo Starr, from “Ringo,” 1973. Also available digitally, of course.

On which Ringo, working without the rest of the Beatles, rocks out on a song he wrote with Vini Poncia. Which, as 1973 turned into 1974, was not necessarily what everyone wanted to hear. But I dug it then, and I dig it now.

Please visit our companion blog, The Midnight Tracker, for more vintage vinyl, one side at a time.

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Filed under November 2013, Sounds