Tin Dog’s sound advice

enjoy the tunes

There, on the bottom of the receipt from Saturday’s record-digging expedition, are words to live by.

“ENJOY THE TUNES”

I didn’t notice that until I got the record all the way home from Tin Dog Records in Beloit, Wisconsin, which is about as far south as you can go in Wisconsin without stumbling into Illinois.

Enjoy the tunes. That’s advice akin to Warren Zevon’s suggestion to “enjoy every sandwich.”

So I did. I enjoyed the tunes even though “River Deep, Mountain High,” from Ike and Tina Turner wasn’t exactly what I expected.

I knew Phil Spector produced, and that Ike and Tina got the Wall of Sound treatment. I didn’t know those tunes account for only six of the 12 cuts on the record. The rest? Apparently just stuff Ike had laying around.

So this 1966 record careens from that elegant Wall of Sound to Ike and Tina’s typically grittier sound and back again. It both disproves and confirms Tina’s spoken intro to “Proud Mary” four years later: “We nevah, evah, do nothing nice and easy. We always do it nice and rough.”

Nice and easy.

“A Love Like Yours (Don’t Come Knocking Everyday),” a Holland-Dozier-Holland song first recorded in 1963 by Martha and the Vandellas. It was the flip side to “Heat Wave.” Ike and Tina’s version — the followup single to “River Deep, Mountain High” — reached No. 16 in the UK in 1966 but didn’t chart in the U.S.

Nice and rough.

“Such A Fool For You,” written by Ike Turner.

iketinaturner riverdeepmtnhigh lp

Both from “River Deep, Mountain High,” Ike and Tina Turner, 1966. Also available digitally. This LP originally was released in the UK that year. Then, after a third single — “I’ll Never Need More Than This” — was released in 1967, that cut was added to the LP for its American release. My copy is that A&M Records release from 1969.

As for the title cut? Well, sorry, but the definitive version for me is the one by the Supremes and the Four Tops from 1970. The one I heard first.

 

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Filed under March 2015, Sounds

We’re getting closer to my home

It’s been a long drought for decent shows up here where the interstate ends.

Since Joan Jett stopped by last September, there hasn’t been much to get excited about. Not even the Eagles, announced last week with the cheapest ticket at $89.

So we wait and wait and wait for word of something worth seeing, and something affordable. And then, today, some light in the darkness.

You know it’s been a long drought when you get stoked about seeing Grand Funk Railroad, which is playing at the Fond du Lac County Fair this summer. That’s about an hour south of here.

As with many bands of that vintage, the first thing I often check is who’s in the band these days. I was pleasantly surprised to see a lineup that includes original members Don Brewer on drums and Mel Schachter on bass.

Now get a load of the rest of the band, another pleasant surprise: Bruce Kulick, formerly with Kiss, on guitars; Max Carl, formerly with .38 Special, on lead vocals; and Tim Cashion, formerly with Bob Seger and Robert Palmer, on keyboards.

It’s a group that’s been together for 15 years.  There’s something to be said for that kind of staying power. I learned that six years ago, when I saw the Grass Roots at another county fair. Lead singer Rob Grill was the only original member, but he and his bandmates had been together for 25 years, far longer than the original lineup. They were tight.

Hoping for the same from Grand Funk.

We’ll likely hear all the singles — “We’re An American Band,” “The Loco-Motion” and “Some Kind Of Wonderful” among them — but I hope we also get to hear some of the heavier, more substantial stuff from the early ’70s. Back in the days of free-form FM radio, Grand Funk was one of the bands you heard after 10 p.m., when the DJs would play anything and everything. Something like this.

Grand Funk RR Survival LP

“Feelin’ Alright,” Grand Funk Railroad, from “Survival,” 1971. Also available digitally. This is, of course, their cover of the Traffic song written by Dave Mason. (The buy link is for a remastered reissue from 2002.)

 

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Filed under March 2015, Sounds

Eight years on

As February rolls to a close, it’s time to quietly celebrate another year of AM, Then FM.

It was during the last week of February 2007 that we made a tiny splash in the blogosphere. Though there are fewer readers and fewer posts than in the heyday of music blogging — when exactly was that, anyway? — we’ll keep on keepin’ on.

Just wanted to say thanks to everyone who’s been along on this long, sometimes strange trip.

Speaking of which …

cmdrcodyozonelp

“Beat Me Daddy (Eight to the Bar),” Commander Cody and His Lost Planet Airmen, 1971, from “Lost In The Ozone.”

Mojo Beatlemania Volumn 1F16C Rubber Souled Part One

“Eight Days A Week,” Billy Preston, 1966. I have this on “Mojo Beatlemania, Volume 1,” a comp CD that came with the September 2004 issue.

Also featured on “Rubber Souled, Part One,” one of the many fine mixes by my friend Larry Grogan over at his tremendous Funky 16 Corners blog. (Just search Larry’s blog for Billy Preston. That mix will turn up, and it’s still available for download or listening.)

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Filed under February 2015, Sounds

Parked near the Batmobile

If social media are any indication, all the cool kids — including my friends Norb and Brian — are in Madison this weekend.

The Wizard World Comic Con Madison is going on next door to what we used to call the Dane County Coliseum, an aging hockey barn that has also has seen some fairly remarkable rock shows.

Brian rode with William Shatner in a hotel shuttle last night and saw Edward James Olmos and Lou Ferrigno at breakfast this morning. Name dropper.

But Norb saw the Batmobile today. “I think it’s just a replica,” he said.

batmobile desk

This is as close as I’m going to get to the Batmobile this weekend.

This Batmobile sits on my desk, just behind my Mac. It is, of course, one of the coolest cars from a childhood filled with cool cars.

Adam West, the guy who sat behind the wheel of the real Batmobile, was to have been at Comic Con Madison this weekend, but he canceled because of what was said to be a scheduling conflict.

I have long wanted to meet Adam West. But I’m not into autographs or selfies — I don’t need proof of such a meeting — so paying upwards of $50 extra just to shake his hand and say thanks seems pointless. It might have been enough just to see him from a distance.

There’s always hope for a random meeting. We once rode in an elevator with Sam Kinison, so anything’s possible.

But I suspect my chances of meeting Adam West are about as slim as another entry on my bucket list.

I would love to have lunch with Paul McCartney. Vegan, of course. No pictures, no autographs, just a couple of guys shooting the breeze.

Maybe Adam West could join us.

micky dolenz remember cd

“Good Morning, Good Morning” Micky Dolenz, from “Remember,” 2012. Also available digitally.

Here’s another mashup of ’60s icons, one of whom had another cool car, the Monkeemobile.

As Dolenz tells it, John Lennon invited him to listen to his song — “Hey Monkee Man. Want to hear what we’re working on?” — as it was being recorded at EMI Studios in London in February 1967. A year later, a bit of this Beatles song was heard at the beginning of the final episode of “The Monkees,” one co-written and directed by Dolenz.

“I don’t remember how it happened, but I somehow managed to get the rights to play this song,” Dolenz says in the “Remember” liner notes. “To my knowledge, it is the first time that The Beatles let one of their songs be used in such a manner.”

Here’s that episode: “The Frodis Caper,” or “Mijacogeo,” from March 25, 1968. That’s an unknown Tim Buckley at the end, doing an acoustic version of “Song To The Siren,” which hadn’t been released at the time.

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Filed under February 2015, Sounds

The record library is open

It had been so long since someone asked, the question damn near startled me.

“Can I borrow some of your records?”

Some of my records? These records?

And then my head cleared. Yes, of course, you can borrow some of my records, Evan. Just as my friends and I shared records back in the ’70s, when none of us had all that many LPs or 45s.

So off to college they went last week, two from Creedence Clearwater Revival, one of Evan’s faves of the moment.

This weekend, another request: “Dad, do you have any records by The Who?”

who meatybeatybigbouncy lp

So off to college it went, “Meaty Beaty Big and Bouncy,” a compilation of early Who singles.

When I told Evan that it came out in 1971, before the release of “Baba O’Riley,” his favorite Who song, he wondered when I’d gotten it. The record sleeve told all.

sleevescanx2

“Meaty Beaty Big and Bouncy” came from Inner Sleeve Records in Wausau, Wisconsin, sometime in the mid-’70s. Back then, when you bought a record there, you got a nice sleeve to go with it.

Those Creedence records were even older. Off to college went “Willy and the Poor Boys” and “Pendulum,” from 1969 and 1970, respectively. Evan grabbed the former because it has “Fortunate Son,” one of his favorite protest songs, on it.

Hope he enjoys them as much as I did, even though he’s several years older now than I was when I spent a lot of time listening to Creedence. I was just a junior-high kid then. That said, I long ago grew tired of hearing the hit singles over and over. These days, I enjoy the Creedence tunes less often heard.

ccrwilly

“It Came Out Of The Sky,” Creedence Clearwater Revival, from “Willy and the Poor Boys,” 1969. Also available digitally. In which a UFO lands in a farm field just south of Moline and the Establishment, circa 1969, freaks out. Enjoy the ride as John Fogerty gleefully sticks it to The Man.

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Filed under January 2015, Sounds

Breaking up in real time

The intersection of sports and music can be messy, often littered with novelty songs and athletes turned dreadful singers, dancers and musicians.

But music and sports intersected in a most remarkable way the other day.

Black Crowes guitarist Rich Robinson announced Thursday that the band had broken up after 24 years. Here’s how I saw the news.

That’s a tweet from Black Crowes drummer Steve Gorman, who also hosts a show on Fox Sports Radio. His show hit the air about 20 minutes after Robinson’s statement came out.

So, at the top of Thursday’s show and then for the first 13 minutes of the show’s second hour, with rarely-heard grace, candor and insight, Gorman broke down the breakup in real time. Here’s the audio of the latter segment (which won’t embed, sorry, but is worth hearing):

http://www.foxsportsradio.com/media/play/sgsresponsetoblackcrowesbreakup-25743670/

Robinson’s statement, and the news, came as no surprise to Gorman, who spent much of his time expressing heartfelt appreciation for his time with the Black Crowes, and especially for fans’ support for the band.

Even so, Gorman did drop a couple of bombs.

On lead singer Chris Robinson’s demand that his brother Rich and Gorman give up their shares in the band, reducing Gorman to a salaried employee:

“There was no chance in a million years that would be agreed to.”

BOOM.

On Chris Robinson, in response to questions from co-host Jeffrey Gorman, his cousin, who worked for the Black Crowes for most of the ’90s:

“He was a great rock ‘n’ roll singer at one time and he wants to do something different, obviously. …  I can’t speak for what’s going through his mind. I can just tell you what he did, and I can tell you what the response was, and therefore there’s no more band. … You threw Axl Rose out there, I’d say just simply add a private education and a boatload of artistic pretense and there’s our boy.”

BOOM.

But Gorman, ever gracious, followed immediately with this:

“These things happen. Rock bands break up all the time.
We had a fantastic run. What are you gonna do?”

When was the last time you heard something like that, not run past publicists, not sanitized beyond comprehension, in the wake of a band’s breakup?

Don’t worry about Steve Gorman.

His radio show, Steve Gorman SPORTS! is that rare thing that deftly blends sports, music, comedy and social commentary, as it did Thursday. It airs and streams live from 5 to 7 p.m. Central. Highly recommended.

His band, Trigger Hippy, is starting to make a name for itself after almost five years together, on and off. Gorman calls it “a rock band that can jam.” I bought their debut record yesterday. (You can get the mp3 version of the LP for $5, much less than I paid for the vinyl, for a short time via Amazon.)

trigger hippy lp

“Rise Up Singing,” Trigger Hippy, from “Trigger Hippy,” 2014.

This is the lead cut, which pleasantly treads some familiar Americana/R&B/soul territory. That’s Gorman on drums and Joan Osborne on vocals, along with guitarist Tom Bukovac, guitarist/keyboard player Jackie Greene and bass player Nick Govrik.

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Filed under January 2015, Sounds

Top 25? Our top 3 records of 2014

There’s never been a year-end music roundup at AM, Then FM because that’s really not how we roll here.

That said, I read Ken Shane’s late-to-the-party roundup of his favorite albums of 2014 over at Popdose, and thought we’d tap into that spirit.

Ken has 25 records on his list, but ours won’t be that long. I bought plenty of records during 2014. Only three of them were new releases.

The first new record I bought in 2014: “Give The People What They Want,” by Sharon Jones and the Dap-Kings.

When Daptone Records provided a sneak peek of the new record from Sharon Jones and the Dap-Kings, I took one look at the cover and my record nerd kicked in. Hey, I thought, that design is inspired by an old Chi-Lites record.

chilitesgivemore powerlpsharonjonesdapkings givepeoplewhattheywantlp

Whatever. The record came out at the end of the second week of January, and I picked it up as soon as I could. Two months later, we got to hear most of it at the Pabst Theater in Milwaukee, a scorcher of a soul revue on a late winter night.

Cool song off the record: “Long Time, Wrong Time,” on which the Dap-Kings walk their vintage soul sound over near the swamp for Miss Jones to chomp on.

The second new record I bought in 2014: “Carter Girl,” by Carlene Carter.

I belong to almost no fan clubs, but I have been a member of Carlene Carter’s fan club for several years. When she started her gradual return to recording and performing in the mid-2000s, it was well below the radar, and the fan club was pretty much the only way to keep tabs on it.

Tipped by the fan club to a limited number of autographed copies of her new record, I managed to get one. Full disclosure, though: I’m not a big autograph guy. I just thought it would be a fun thing to have.

Carlene Carter autographed CD

Well, it sure was fun opening the package when it arrived in April. Carlene Carter has a lovely signature, doesn’t she?

I’ve loved Carlene Carter since her time with Nick Lowe and Dave Edmunds in the early ’80s, through her pop-country stardom in the early ’90s and now that she’s re-emerged after some struggles with addiction. On this record, Carter taps into her Carter Family influences and stands right beside them as one of America’s finest country singers.

Cool song off the record: “Lonesome Valley 2003,” an updated version of an A.P. Carter song. She’s always been one of the great duet singers. “Baby Ride Easy” with Dave Edmunds is sublime. Vince Gill is her partner on this one.

The third new record I bought in 2014: “The Lost Tapes,” by Vic Pitts and the Cheaters.

Just in time for my birthday, I was tipped to this record by DJ Prestige over at Flea Market Funk. It hit me right in my wheelhouse: Vintage soul and R&B, and vintage soul and R&B from Wisconsin.

Full disclosure again: I’m not big into limited editions, either. But I managed to order from Secret Stash Records in Minneapolis when the red vinyl copies were still available. I just thought it would be a fun thing to have.

vic pitts record on turntable

Well, it sure was fun seeing that red vinyl light up the turntable in July.

vic pitts cheaters lost tapes lp

Vic Pitts and the Cheaters were among Milwaukee’s hottest soul/R&B bands in the late ’60s and early ’70s. This record gathers a never-released bunch of scorchers, covers, ballads and instrumentals that were recorded in 1969 and 1970 at Ter-Mar Studios in Chicago, by then one of the last remaining pieces of what once was Chess Records.

Cool song off the record: “The Trip,” the one that’s playing in the picture.

Please visit our companion blog, The Midnight Tracker, for more vintage vinyl, one side at a time. (And, yes, I know I am long overdue in posting there.)

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Filed under January 2015, Sounds